Here Is...... Your Morning Wake Up Call With Robert Pattinson

Here Is...... Your Morning Wake Up Call With Robert Pattinson 

Here it is...your moment of Robert Pattinson

Here it is...your moment of Robert Pattinson

"Robert Pattinson Really Delivers On Set" ~ Anton Corbijn

"Robert Pattinson Really Delivers On Set" ~ Anton Corbijn

RTÉ Ten (Ireland) spoke to Anton Corbijn about Life and asked him about the first time Rob and Dane read together. Check out his answer below in an excerpt from the interview.

I also liked what the site had to say about the movie:

"You may already know more about legendary photographer-turned-director Anton Corbijn's new film than you realise. Have you ever seen that iconic 1960 photo of James Dean walking in the rain in Times Square? Well, the picture was taken by a man named Dennis Stock, and the story of it, and his friendship with the soon-to-be-huge star, is touchingly told in Life.

With two excellent performances from Robert Pattinson as Stock and Dane DeHaan as Dean, Life is Corbijn's most uplifting film to date, with the era so lovingly and beautifully recreated that your time with his two leading men will probably feel all too short. "

The first time you had Robert and Dane read together could you feel the electricity straight away?

They're very different actors, you know? They come in very different ways to the set or to rehearsals. That made me feel really great because they are very different characters in the film. Dane is very prepared – he prepared for months – Rob seems to be less prepared but then on set he really delivers. But in rehearsals he sort of takes it in. He's very intuitive in his approach and it worked really well, whereas Dane is much more studied. 

Read the full interview with Anton over HERE

NEW INTERVIEW: Robert Pattinson Talks About Working On Smaller Film Roles, Refusing To Do Media Training & MORE

NEW INTERVIEW: Robert Pattinson Talks About Working On Smaller Film Roles, Refusing To Do Media Training & MORE

I'm so greedy, I want to hear the FULL audio from this interview. For now I'll just have to put up with reading it (and letting the little soundbite we have play on loop).

New this week, actor Robert Pattinson: "Everyone wants you to be so vanilla. It's so lame." Listen here or read the full story on our site. #RobertPattinson #Film #Actor #Vanilla

A video posted by @thetalks on Sep 16, 2015 at 6:20am PDT

From: TheTalks.com


Click For HQ

Mr. Pattinson, are you disillusioned with your career?

I think a lot of actors get disillusioned and say, “Oh, I thought it was going to be one way, and it’s something else.” I never thought anything was going to be any particular way at all! You know, in the good times and the bad times, they’re all just new experiences. So I can’t really be disillusioned with anything because I didn’t have any expectations at all.

What about people’s expectations of you?

I’ve never really acknowledged people’s expectations of me. A lot of actors sort of fall into the job and feel like they’re going to get “found out,” like, found out that they’re a fraud or something like that. I think loads of people feel like that. I did a film with Anton Corbijn called LIFE where I played the photographer who shot those famous photos of James Dean and there are a lot of parallels between an acting career and a photography career.

Like what?

Both of them are almost entirely dependent on the material, especially if you’re doing stuff like taking photos of famous people and really talented people who are incredibly interesting and charismatic. As an actor, you want to be an artist, but you’re so dependent on everybody else! And even if you’re great in something, there’s only a few actors who the audience acknowledges that they were the reason something’s good. With a photographer, it’s very difficult to claim stuff, too.

As someone who has been hounded by the paparazzi more than most, was it cathartic to switch roles and play the photographer for once?

It was quite strange walking up to the Chateau Marmont as a paparazzi. It was very weird at the actual place. I don’t know if it was cathartic. Maybe it would have been if, because of him being paparazzi, he ends up getting beaten to death…

They’re just people, too.

Well… In fact, not at all. That’s probably why my character was so filled with self-loathing, because he’s a paparazzi. (Laughs)

When your career started off you had some trouble with photographers yourself.

When Twilight first happened, a lot of the franchise people at the time were under strict control by the studios and stuff, so they did it quite “kid-friendly.” And I think for the first few months I kept getting photographed, like, being drunk and smoking cigarettes and things. So I think that’s kind of why people said it was a bit different. But I think the landscape has changed so much. I remember even people like Colin Farrell and stuff. I guess when he was super wild, that was only seven years ago, eight years ago, but I don’t even think you’re allowed to be like that anymore.

Why not, what would happen?

If you do that now, you just don’t get employed. At all. Everyone wants you to be so vanilla! It’s so lame! So, everyone’s just like secret drug addicts instead. (Laughs)

Did you have interview training once you signed on to do Twilight to keep all of your comments vanilla?

Yeah, Summit put me in media training because I was doing too many stupid interviews. I just wanted to tell jokes and stuff and then they sent an email afterwards saying that I refused to cooperate with the media training! It’s my agent’s favorite email she got because she thought it was so hilarious that I refused to relent to the media training.

Would it be possible for you to still be friends with a journalist?

I think it works until you get to a certain level of fame. Before the first Twilight came out there were a couple of journalists who I got on with. They did good profiles on you and stuff and they’d kind of champion you for a bit. But I think if you do too many interviews, people aren’t interested in the nuances of what you’re saying. You’ve just said too much and you end up repeating yourself. The editors are like, “Get him to say something that makes him sound like an idiot or get him to say something controversial.”

That’s pretty much exactly how it goes for many publications, sadly.

Yeah and I think you can’t really be that close with a journalist when you can see them, like, needing you to say something bad for their own jobs. I know actors who have made deals with paparazzi and stuff – it always backfires. Always. Because, like, you just shouldn’t. As soon as you start throwing shit around, you’re going to get covered in shit.

Well, after Twilight ended you’ve been choosing to work with auteurs like Herzog, Cronenberg, Anton Corbijn, and James Gray on smaller projects where your exposure is a lot different.

The last few years I’ve basically done stuff just for the director. After working with Cronenberg on Cosmopolis it just opened stuff up. People approach you in a different way. And now I’ve done a few other things and it kind of just works on a roll, being able to work with these auteur-y kind of guys. It’s quite nice to do smaller parts, so the film doesn’t totally rely on what I do in it. I get to work with who I want to work with and it’s not my fault if it doesn’t make any money!

After working with a few of those directors, has there been a moment where you noticed the difference in how they work?

There was a moment at the end of The Rover. We had just wrapped and David Michôd was standing in the middle of the parking lot we were just shooting in. He looked sort of weird and was watching people packing stuff up. And I was like, “You all right?” And he said, “Yeah, I just think I’m only going to have like six more of these days in my life, so I just want to feel it for a second.” It’s so funny the difference between someone who is doing a job essentially for their next job, or somebody who has written it, produced it.

Someone who is going to devote several years of their life to it when it’s all said and done.

Yeah, you can feel it. It’s much more exhilarating and fun to try to fulfill someone’s dream. A lot of the time you’re working with someone and they don’t really know what they want and they don’t even necessarily want to do the job they’re doing. So you’re just trying to not drown and they’re panicking the whole time. It’s horrible. But with people who are confident and believe in their projects, it’s a completely different experience.

Thanks Robjectify & Nancy

Here Is...... Your Morning Wake Up Call With Robert Pattinson

Here Is...... Your Morning Wake Up Call With Robert Pattinson 



Thanks Nere

Here it is...your moment of Robert Pattinson

Here it is...your moment of Robert Pattinson

PRINT: Robert Pattinson On 'Life', How Things Have Calmed Down & Working More In The Next 4 Years

PRINT: Robert Pattinson On 'Life', How Things Have Calmed Down & Working More In The Next 4 Years

This interview with Unicum sounds very similar to the Morgenpost interview we posted a few days ago but the last few questions are different. It looks like they had a roundtable (possibly at Berlinale).



Translation thanks to @Inthejungle83
Original Interview Source


via PAW