Werner Herzog calls Robert Pattinson a "wonderful, fine actor" and has respect for Twilight

Werner Herzog calls Robert Pattinson a "wonderful, fine actor" and has respect for Twilight

 photo WernerHerzogampRobertPattinson.jpg It's been quite the day for a Rob praise parade! The Rover is receiving rave reviews out of Cannes from the first press screening. Catch up HERE. And David Michôd was again applauding on Rob for his performance and skills. Click HERE to read.

Now we have Werner Herzog speaking with The Playlist and he briefly mentioned Rob. It was brief but it carried a punch. Excerpt:
Herzog claims that cinema has “a very unique way” of dealing with the vampire myth, and while his high esteem for Kinski’s legacy has barred him from considering most future iterations, a surprising exception is the “Twilight” series of films. His reaction? “Not that bad, I was surprised to find.”  
“We have to take it seriously that there are films out there that know how to address a 14 or 15-year-old,” he added. “This is a very special sort of approach and I couldn't do it, yet these films could. I see that much of it is silly but at the same time I respect these films. And I just worked with one of the actors, Robert Pattinson [in Herzog’s upcoming ‘Queen of the Desert’], and he's a wonderful, fine actor. He's clearly stepping out of these roles that make the teenies screech.”
Directors continue to really step up to the plate for Rob.
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Media Reviews & Reactions To Cannes Press Screening Of 'The Rover'

UPDATE: More greatness added! Scroll down and read it all. This edit is from the official account for The Rover. Bet they're feeling pretty great too. :))

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The Rover had it's press screen in Cannes this morning and the media reviews and reactions have been coming out hot and heavy.
Here's a little round-up (updating all the time so keep checking back)...........

Variety:
"Pearce is fiercely impressive here as a man who gave up on the human race even before the latest round of calamities, and if there are occasional glimpses of the kinder, gentler man he might once have been, we are more frequently privy to his savage survival instincts. But it’s Pattinson who turns out to be the film’s greatest surprise, sporting a convincing Southern accent and bringing an understated dignity to a role that might easily have been milked for cheap sentimental effects."
The Hollywood Reporter:
Pattinson delivers a performance that, despite the character’s own limitations, becomes more interesting as the film moves along, suggesting that the young actor might indeed be capable of offbeat character work. But always commanding attention at the film’s center is Pearce, who, under a taciturn demeanor, gives Eric all the cold-hearted remorselessness of a classic Western or film noir anti-hero who refuses to die before exacting vengeance for an unpardonable crime.
Little White Lies:
"Performances are pitched just right between hard-bitten and mournful. Guy Pierce, as all know, has stoically grizzled down to a fine art, while Pattinson manages his new non-heart-throb ground (the make-up team have wrought merry hell on his teeth) with admirable pathos. His limp, hick accent, facial tics and staccato delivery play second, third, fourth and fifth fiddle to a whole lot of heart, and one that Eric cannot help but fall for."
The Playlist:
"Pearce is reliably riveting as the totally stonefaced Man With No Name Except Maybe Eric, and Michod exploits his charisma for all its worth in the many extended takes of his inscrutable, unreadable mien, while Pattinson, who we were initially worried might be too tic-laden to fully convince, actually turns in a performance that manages to be more affecting than affected."
Popsugar:
"Pearce is the center of the film and a forceful presence as usual, but Pattinson puts in a formidable and truly transformative performance all his own. Rey is an unattractive character in an unattractive world, with rotten teeth, a bad haircut, and an off-putting, twitchy demeanor, but there's no sense that Pattinson did any of this in a superficial effort to ugly himself up and distance himself from his heartthrob image. If anything, the role should stand as proof to any doubters that with the right director and the freedom to break free of his own public persona, Pattinson has real ability and magnetism on screen."
The Evening Standard:
Guy Pearce is ferociously compelling and Robert Pattison surprisingly good too, putting his teen-roles behind him more conclusively than any of his contemporaries.
 MORE Reviews & Tweets AFTER THE CUT

VIDEO: Robert Pattinson Arriving At The Airport In Nice For The Cannes Film Festival

VIDEO: Robert Pattinson Arriving At The Airport In Nice For The Cannes Film Festival

How are you Bobby? LOL

"He’s A Great Actor & I Wouldn’t Have Cast Him Otherwise" ~ David Michod Talks Robert Pattinson & 'The Rover' To ScreenDaily

"He’s A Great Actor & I Wouldn’t Have Cast Him Otherwise" ~ David Michod Talks Robert Pattinson & 'The Rover' To ScreenDaily

Screendaily spoke to director David Michod about the challenges of shooting The Rover, the punishing conditions they worked under, if he had any concerns about casting Robert Pattinson & more!

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Why did you want to tell this story?

I wanted to tell a story about the effect today’s pathological greed and rampant resource exploitation might have on desperate people in some dark future manifestation of the world as we currently know it.

I wanted to throw together a murderous, resentful Australian man and a naïve American kid - a man who has witnessed the world fall apart and a kid who knows nothing other than things as they are, a kid who in different circumstances might just simply be looking for a girl to fall in love with in the next town, but who instead, here, is struggling just to stay alive.

Is this desert specifically Australia or could it be anywhere?

It felt like this story was specific to the Australian desert, specific to the last decade or more of the Australian resources boom, which saw the Australian economy basically propped up almost entirely by us digging up monumental amounts of dirt to fuel the growth of China and Asia more generally.

The world of the movie is one in which a catastrophic Western economic collapse has relegated Australia to the status of resource-rich Third World country - with all the violence and danger that entails.

Both Animal Kingdom and The Rover are full of menace and have a strong sense of place. Do you associate Australia with menace?

I associate Australia with both incredible beauty and incredible menace. It’s a landscape, a vast emptiness, that inspires both awe and terror. It does for me anyway.

How concerned were you about casting Robert Pattinson - an actor best known as the face of a teen franchise - in one of the two lead roles? Did his performance surprise you?

I loved the idea of it. I knew, even from my first meeting with him, before I even knew that The Rover was going to be my next film, that Rob had something far more interesting to offer than his work to date would suggest. And the prospect of giving a very recognisable performer the opportunity to do something right outside the parameters of people’s general expectations is exciting.

Rob didn’t exactly surprise me because I knew he could do what I was asking him to do - he’s a great actor and I wouldn’t have cast him otherwise. I’m pretty sure, however, that everyone else is going to be surprised by his performance because it’s about as far away from everything he’s done before as you can get.

How punishing were the conditions during shoot?
They were punishing. When we did our tech recce the week before the shoot we found ourselves standing around in 50 degrees Celsius temperatures. It was scary and dangerous. Fortunately, when we started shooting, the temperatures dropped down to around 43 degrees Celsius, which compared to 50 feels like a cool change. The conditions were tough, but it’s worth it - you can feel the conditions in every pore and nook and cranny of the movie.

What were the biggest challenges for you during the production?

Distance and isolation were the biggest challenges. Travelling an hour or more to and from set every day, getting gear into difficult locations, and getting 35mm exposed rushes out. Everything’s dirty and nobody’s phone works. These are all things that make the experience special, though, too.
 Read the full interview over at ScreenDaily

NEW PICS: Robert Pattinson arrives in Cannes! Ready to take the festival by storm!

NEW PICS: Robert Pattinson arrives in Cannes! Ready to take the festival by storm! 

Pics had to go bye bye!

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Sorry but they were just TOO hot and ladies were dropping like flies. Rob showed no mercy.
If you still have your wits about you, click HERE to view on Just Jared!

LA TIMES: Robert Pattinson is a revelation in The Rover! David Michôd calls his performance extraordinary!

LA TIMES: Robert Pattinson is a revelation in The Rover! David Michôd calls his performance extraordinary! 

OMG. Guys. Serious talk. Are you sitting down? Do you have your survival supplies? READ THIS.

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From LA Times, Kenneth Turan:
'The Rover,' shot in the scorching outback, chills the heart and soul

Film directors fretting on the set is nothing new, but David Michod, whose "The Rover" will debut at the Festival du Cannes on Saturday, had a concern that was considerably out of the ordinary: "I worried," he says, "that the actors would die."

Michod's first feature since 2010's knockout "Animal Kingdom," "The Rover" stars Guy Pearce and Robert Pattinson and was filmed in the South Australian outback, where temperatures in the hottest time of the year are literally inhumane.

"We had a technical scout the week before we started shooting and it felt dangerous, the temperature was 50 degrees Celsius, which is 122 degrees Fahrenheit," the director recalled while in the cool interior of a posh hotel bar.

"You couldn't work in that kind of heat, if you stood outside for more than 20 minutes you could start to die. ... The producers [and I] had a short conversation about that, it was short because we didn't want to contemplate that possibility. Fortunately, the temperature during shooting went down to 40 to 45 degrees Celsius [104-113 Fahrenheit.] That sits within the spectrum suitable for human life."

Unaccountably slotted for the midnight section of the festival rather than the main competition, "The Rover" is a most impressive piece of filmmaking, tense and unrelenting, that chills the blood as well as the soul.

It not only features head-turning performances by Pearce as a man ferociously determined to get his stolen car back and Pattinson as someone dragged along in his wake, it is set in a completely terrifying world. It's 10 years after an unnamed global economic collapse, and this part of Australia has become a bleak and hopelessly hollowed-out society that Michod and his team have superbly created.

"I didn't want to do a post-Apocalypse movie, where you're on the other side of a catastrophe so unforeseeable that you can sit back and enjoy your popcorn," the director explained.

"And I didn't want the world reduced to total anarchy, I wanted an infrastructure of sorts, like in a resource-rich Third World country, where financial interests are protected and everyone else is left to fend for themselves. I wanted a world that could be right around the corner, something tense and menacing because of its palpable plausibility."

Writer-director Michod and his story collaborator, Joel Edgerton, came up with the idea for "The Rover" in 2007. "We scratched out an outline and I wrote a first draft when we were in Los Angeles, at loose ends and not knowing why we were there.

"We started out with nothing other than a man and a car in the desert. I always start with something generic and it becomes my goal to make it less so, to make it unusual, detailed, specific. If there are references and touchstones, I try to put those aside and make something you haven't seen before."

The success of 2010's "Animal Kingdom," first at Sundance and eventually at the Oscars (where costar Jackie Weaver got a best supporting actress nomination), was both unexpected and a career-changing experience for the 41-year-old director.

"I went to Sundance without having any idea of what anyone was going to make of the movie, I had totally lost perspective," Michod remembered. "I went bracing myself for embarrassment."

Instead came the exhilaration of success, and with it "suddenly an entire world of possibilities opened for me. I decided to keep myself open to the idea that my next film could come from anywhere.

"So I spent — or wasted — a couple of years reading other people's scripts. But I like building movies from the ground up, and I couldn't wrap my head around movies that were already half made. I wanted to do something of my own on my own terms."

That led Michod back to "The Rover" and the terrifying character of Eric, played by Pearce, "a murderously embittered man trying to track down the people who stole his car. He is a guy in his mid-40s, old enough to remember life before the collapse but young and vital enough to be dangerous. His character is slowly revealed to you, he had a complex emotional life that had just atrophied."

Pearce was one of the stars of "Animal Kingdom" and Michod wrote this part specifically for him, but the director still had to fight to get him, to combat the notion that "to get almost any movie made you need one of the eight guys in the world everyone wants."


"Guy is a lovely, warm and engaging human being, but there is something hidden and mysterious about him as an actor, and he is a master of taking minimal stuff and simply filling it with details," Michod said. "And he's a professional, he's really good at playing the instrument when he picks it up, and he's also good at putting it down, he doesn't need to wear the character when the camera isn't rolling."

Pearce's barely controlled ferocity as Eric is exceptional, but it is not as much of a revelation as Pattinson's unrecognizable work as Rey, a damaged, unfocused individual who is the older man's half-unwilling accomplice.

"I met him in Los Angeles when I was doing the 400,000 meetings I was expected to do after 'Animal Kingdom,'" Michod said. "I've learned not to dismiss actors based on preconceptions, and he was a classic example.

"I understand how young actors can paint themselves into luxurious corners, and I knew if I could get the movie made and Robert played that character, the world would see a skill set he has that I don't think he's previously ever demonstrated.

"Robert and Guy's performances are so extraordinary, I want them to win things," the director concluded, which is another reason "The Rover's" exclusion from the Cannes competition is so regrettable.

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So proud, so CRAZY proud of Rob!!!! It's a new day!!!!

Robert Pattinson's 'The Rover' UK Release Date Changed To 15th August

Robert Pattinson's 'The Rover' UK Release Date Changed To 15th August

So it looks like the release date for The Rover in the UK has been changed from 22nd August to 15th August according to the official TheRoverUK Facebook Pag.
We will keep you updated if there are anymore changes.

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