Pics had to go bye bye!
Sorry but they were just TOO hot and ladies were dropping like flies. Rob showed no mercy.
If you still have your wits about you, click HERE to view on Just Jared!
NEW PICS: Robert Pattinson arrives in Cannes! Ready to take the festival by storm!
NEW PICS: Robert Pattinson arrives in Cannes! Ready to take the festival by storm!
Pics had to go bye bye!
Sorry but they were just TOO hot and ladies were dropping like flies. Rob showed no mercy.
If you still have your wits about you, click HERE to view on Just Jared!
Pics had to go bye bye!
Sorry but they were just TOO hot and ladies were dropping like flies. Rob showed no mercy.
If you still have your wits about you, click HERE to view on Just Jared!
LA TIMES: Robert Pattinson is a revelation in The Rover! David Michôd calls his performance extraordinary!
LA TIMES: Robert Pattinson is a revelation in The Rover! David Michôd calls his performance extraordinary!
OMG. Guys. Serious talk. Are you sitting down? Do you have your survival supplies? READ THIS.
From LA Times, Kenneth Turan:
'The Rover,' shot in the scorching outback, chills the heart and soul
Film directors fretting on the set is nothing new, but David Michod, whose "The Rover" will debut at the Festival du Cannes on Saturday, had a concern that was considerably out of the ordinary: "I worried," he says, "that the actors would die."
Michod's first feature since 2010's knockout "Animal Kingdom," "The Rover" stars Guy Pearce and Robert Pattinson and was filmed in the South Australian outback, where temperatures in the hottest time of the year are literally inhumane.
"We had a technical scout the week before we started shooting and it felt dangerous, the temperature was 50 degrees Celsius, which is 122 degrees Fahrenheit," the director recalled while in the cool interior of a posh hotel bar.
"You couldn't work in that kind of heat, if you stood outside for more than 20 minutes you could start to die. ... The producers [and I] had a short conversation about that, it was short because we didn't want to contemplate that possibility. Fortunately, the temperature during shooting went down to 40 to 45 degrees Celsius [104-113 Fahrenheit.] That sits within the spectrum suitable for human life."
Unaccountably slotted for the midnight section of the festival rather than the main competition, "The Rover" is a most impressive piece of filmmaking, tense and unrelenting, that chills the blood as well as the soul.
It not only features head-turning performances by Pearce as a man ferociously determined to get his stolen car back and Pattinson as someone dragged along in his wake, it is set in a completely terrifying world. It's 10 years after an unnamed global economic collapse, and this part of Australia has become a bleak and hopelessly hollowed-out society that Michod and his team have superbly created.
"I didn't want to do a post-Apocalypse movie, where you're on the other side of a catastrophe so unforeseeable that you can sit back and enjoy your popcorn," the director explained.
"And I didn't want the world reduced to total anarchy, I wanted an infrastructure of sorts, like in a resource-rich Third World country, where financial interests are protected and everyone else is left to fend for themselves. I wanted a world that could be right around the corner, something tense and menacing because of its palpable plausibility."
Writer-director Michod and his story collaborator, Joel Edgerton, came up with the idea for "The Rover" in 2007. "We scratched out an outline and I wrote a first draft when we were in Los Angeles, at loose ends and not knowing why we were there.
"We started out with nothing other than a man and a car in the desert. I always start with something generic and it becomes my goal to make it less so, to make it unusual, detailed, specific. If there are references and touchstones, I try to put those aside and make something you haven't seen before."
The success of 2010's "Animal Kingdom," first at Sundance and eventually at the Oscars (where costar Jackie Weaver got a best supporting actress nomination), was both unexpected and a career-changing experience for the 41-year-old director.
"I went to Sundance without having any idea of what anyone was going to make of the movie, I had totally lost perspective," Michod remembered. "I went bracing myself for embarrassment."
Instead came the exhilaration of success, and with it "suddenly an entire world of possibilities opened for me. I decided to keep myself open to the idea that my next film could come from anywhere.
"So I spent — or wasted — a couple of years reading other people's scripts. But I like building movies from the ground up, and I couldn't wrap my head around movies that were already half made. I wanted to do something of my own on my own terms."
That led Michod back to "The Rover" and the terrifying character of Eric, played by Pearce, "a murderously embittered man trying to track down the people who stole his car. He is a guy in his mid-40s, old enough to remember life before the collapse but young and vital enough to be dangerous. His character is slowly revealed to you, he had a complex emotional life that had just atrophied."
Pearce was one of the stars of "Animal Kingdom" and Michod wrote this part specifically for him, but the director still had to fight to get him, to combat the notion that "to get almost any movie made you need one of the eight guys in the world everyone wants."
"Guy is a lovely, warm and engaging human being, but there is something hidden and mysterious about him as an actor, and he is a master of taking minimal stuff and simply filling it with details," Michod said. "And he's a professional, he's really good at playing the instrument when he picks it up, and he's also good at putting it down, he doesn't need to wear the character when the camera isn't rolling."
Pearce's barely controlled ferocity as Eric is exceptional, but it is not as much of a revelation as Pattinson's unrecognizable work as Rey, a damaged, unfocused individual who is the older man's half-unwilling accomplice.
"I met him in Los Angeles when I was doing the 400,000 meetings I was expected to do after 'Animal Kingdom,'" Michod said. "I've learned not to dismiss actors based on preconceptions, and he was a classic example.
"I understand how young actors can paint themselves into luxurious corners, and I knew if I could get the movie made and Robert played that character, the world would see a skill set he has that I don't think he's previously ever demonstrated.
"Robert and Guy's performances are so extraordinary, I want them to win things," the director concluded, which is another reason "The Rover's" exclusion from the Cannes competition is so regrettable.
So proud, so CRAZY proud of Rob!!!! It's a new day!!!!
OMG. Guys. Serious talk. Are you sitting down? Do you have your survival supplies? READ THIS.
From LA Times, Kenneth Turan:
'The Rover,' shot in the scorching outback, chills the heart and soul
Film directors fretting on the set is nothing new, but David Michod, whose "The Rover" will debut at the Festival du Cannes on Saturday, had a concern that was considerably out of the ordinary: "I worried," he says, "that the actors would die."
Michod's first feature since 2010's knockout "Animal Kingdom," "The Rover" stars Guy Pearce and Robert Pattinson and was filmed in the South Australian outback, where temperatures in the hottest time of the year are literally inhumane.
"We had a technical scout the week before we started shooting and it felt dangerous, the temperature was 50 degrees Celsius, which is 122 degrees Fahrenheit," the director recalled while in the cool interior of a posh hotel bar.
"You couldn't work in that kind of heat, if you stood outside for more than 20 minutes you could start to die. ... The producers [and I] had a short conversation about that, it was short because we didn't want to contemplate that possibility. Fortunately, the temperature during shooting went down to 40 to 45 degrees Celsius [104-113 Fahrenheit.] That sits within the spectrum suitable for human life."
Unaccountably slotted for the midnight section of the festival rather than the main competition, "The Rover" is a most impressive piece of filmmaking, tense and unrelenting, that chills the blood as well as the soul.
It not only features head-turning performances by Pearce as a man ferociously determined to get his stolen car back and Pattinson as someone dragged along in his wake, it is set in a completely terrifying world. It's 10 years after an unnamed global economic collapse, and this part of Australia has become a bleak and hopelessly hollowed-out society that Michod and his team have superbly created.
"I didn't want to do a post-Apocalypse movie, where you're on the other side of a catastrophe so unforeseeable that you can sit back and enjoy your popcorn," the director explained.
"And I didn't want the world reduced to total anarchy, I wanted an infrastructure of sorts, like in a resource-rich Third World country, where financial interests are protected and everyone else is left to fend for themselves. I wanted a world that could be right around the corner, something tense and menacing because of its palpable plausibility."
Writer-director Michod and his story collaborator, Joel Edgerton, came up with the idea for "The Rover" in 2007. "We scratched out an outline and I wrote a first draft when we were in Los Angeles, at loose ends and not knowing why we were there.
"We started out with nothing other than a man and a car in the desert. I always start with something generic and it becomes my goal to make it less so, to make it unusual, detailed, specific. If there are references and touchstones, I try to put those aside and make something you haven't seen before."
The success of 2010's "Animal Kingdom," first at Sundance and eventually at the Oscars (where costar Jackie Weaver got a best supporting actress nomination), was both unexpected and a career-changing experience for the 41-year-old director.
"I went to Sundance without having any idea of what anyone was going to make of the movie, I had totally lost perspective," Michod remembered. "I went bracing myself for embarrassment."
Instead came the exhilaration of success, and with it "suddenly an entire world of possibilities opened for me. I decided to keep myself open to the idea that my next film could come from anywhere.
"So I spent — or wasted — a couple of years reading other people's scripts. But I like building movies from the ground up, and I couldn't wrap my head around movies that were already half made. I wanted to do something of my own on my own terms."
That led Michod back to "The Rover" and the terrifying character of Eric, played by Pearce, "a murderously embittered man trying to track down the people who stole his car. He is a guy in his mid-40s, old enough to remember life before the collapse but young and vital enough to be dangerous. His character is slowly revealed to you, he had a complex emotional life that had just atrophied."
Pearce was one of the stars of "Animal Kingdom" and Michod wrote this part specifically for him, but the director still had to fight to get him, to combat the notion that "to get almost any movie made you need one of the eight guys in the world everyone wants."
"Guy is a lovely, warm and engaging human being, but there is something hidden and mysterious about him as an actor, and he is a master of taking minimal stuff and simply filling it with details," Michod said. "And he's a professional, he's really good at playing the instrument when he picks it up, and he's also good at putting it down, he doesn't need to wear the character when the camera isn't rolling."
Pearce's barely controlled ferocity as Eric is exceptional, but it is not as much of a revelation as Pattinson's unrecognizable work as Rey, a damaged, unfocused individual who is the older man's half-unwilling accomplice.
"I met him in Los Angeles when I was doing the 400,000 meetings I was expected to do after 'Animal Kingdom,'" Michod said. "I've learned not to dismiss actors based on preconceptions, and he was a classic example.
"I understand how young actors can paint themselves into luxurious corners, and I knew if I could get the movie made and Robert played that character, the world would see a skill set he has that I don't think he's previously ever demonstrated.
"Robert and Guy's performances are so extraordinary, I want them to win things," the director concluded, which is another reason "The Rover's" exclusion from the Cannes competition is so regrettable.
So proud, so CRAZY proud of Rob!!!! It's a new day!!!!
Robert Pattinson's 'The Rover' UK Release Date Changed To 15th August
Robert Pattinson's 'The Rover' UK Release Date Changed To 15th August
So it looks like the release date for The Rover in the UK has been changed from 22nd August to 15th August according to the official TheRoverUK Facebook Pag.
We will keep you updated if there are anymore changes.
So it looks like the release date for The Rover in the UK has been changed from 22nd August to 15th August according to the official TheRoverUK Facebook Pag.
We will keep you updated if there are anymore changes.
Robert Pattinson's 'Life' & 'Queen Of The Desert' Are HOT, HOT, HOT In Cannes
Robert Pattinson's 'Life' & 'Queen Of The Desert' Are HOT, HOT, HOT In Cannes
Robert Pattinson's Life & Queen of the Desert are on a list of hot films that have created the most buzz among buyers in the Cannes film market according to Deadline. Are we surprised?
From Deadline:
Now what I want to know is what I have to do to see that 15mins of Life footage!
Robert Pattinson's Life & Queen of the Desert are on a list of hot films that have created the most buzz among buyers in the Cannes film market according to Deadline. Are we surprised?
From Deadline:
QUEEN OF THE DESERT – Director, Writer: Werner Herzog, Cast: James Franco, Robert Pattinson, Nicole Kidman, Damian Lewis. Kidman plays Gertrude Bell, the Lawrence of Arabia of female diplomats and political attaché for the British Empire at the dawn of the 20th century. Sales: Sierra Affinity, CAA, Cassian Elwes.
LIFE – Director: Anton Corbijn. Cast: Robert Pattinson, Dane DeHaan, Ben Kingsley, Joel Edgerton. A photographer for Life Magazine is assigned to shoot pictures of James Dean. Sales: CAA / WME / FilmNation. Based on 15 minutes of footage, this one’s in play and is gonna sell.
Now what I want to know is what I have to do to see that 15mins of Life footage!
The Central Performances From Guy & Rob Are Really Extraordinary" ~ David Michod
The Central Performances From Guy & Rob Are Really Extraordinary" ~ David Michod
David Michod talks about The Rover, Guy & Rob's extraordinary performances & More in an interview with SBS Film Australia
via TheRoverFilm.com
David Michod talks about The Rover, Guy & Rob's extraordinary performances & More in an interview with SBS Film Australia
Every filmmaker dreams of getting a film into Cannes. Why do you think The Rover did?
Hopefully, it feels like a film they haven't seen before – it's tense and unusual – and because the central performances from Guy and Rob are really extraordinary.
You have said that the film is "not a post-apocalyptic film”, that “this is an Australia that has broken down into a kind of resource-rich Third World country." Can you expand on that?
I didn't want the world of the movie to feel like we'd been reduced to psychotic apes because of a single cataclysmic event. Rather, I wanted it to feel like the entirely plausible and frighteningly possible result of the world we live in today: economic and environmental collapse, as a product of rampant greed and exploitation, reduce Australia to a dangerous resource-rich third world country. Infrastructure, products, and an economy of sorts still exist – they're just broken, fragile and the world of the movie as a consequence is dangerous and unpredictable.
For the many people who know and love Animal Kingdom, what would you say to them about how the film is most different from or influenced by or still shows the David Michôd touch.
I think it will feel like it was made by the same guy who made Animal Kingdom. The Rover is much leaner in narrative and more epic in landscape but, like Animal Kingdom, it's still about the sadness and menace of people trying to make sense of a world that doesn't make any sense.Read the full Interview over at sbs.com
via TheRoverFilm.com
NEW: David Cronenberg mentions Robert Pattinson, Maps To The Stars and being very proud and happy with Cosmopolis
NEW: David Cronenberg mentions Robert Pattinson, Maps To The Stars and being very proud and happy with Cosmopolis
We know Rob has hopped on a jet and is on his way to Cannes! The Hollywood Reporter listed Rob and the rest of the Maps To The Stars cast and crew in attendance at a festival party happening May 16th so we'll be keeping an eye out for the King of Cannes at that function and more.
David Cronenberg talked to The Hollywood Reporter and mentioned a conversation he had with Rob during Cosmopolis filming. The interview is a good read and I can't wait to see these two working the Cannes circuit together again.
Excerpt from The Hollywood Reporter:
We know Rob has hopped on a jet and is on his way to Cannes! The Hollywood Reporter listed Rob and the rest of the Maps To The Stars cast and crew in attendance at a festival party happening May 16th so we'll be keeping an eye out for the King of Cannes at that function and more.
David Cronenberg talked to The Hollywood Reporter and mentioned a conversation he had with Rob during Cosmopolis filming. The interview is a good read and I can't wait to see these two working the Cannes circuit together again.
Excerpt from The Hollywood Reporter:
You made Maps for a little more than $13 million. What is your approach to film financing?David mentions Cosmopolis later in the interview and talks about how he's very proud of the film.
Money can be neutral, and as long as the source of the money doesn’t involve giving up creative freedom, I don’t care where it comes from. In fact, I rather like that independent films are put together like Frankenstein: You get pieces from all over the world, and you stitch them together and hope it ends up being a living organism. That’s the financing. But creatively — obviously that’s one of the reasons you make independent films, for creative freedom. You don’t have studio interference. When I was making [2012’s] Cosmopolis, [Robert] Pattinson said to me, “I’ve never seen this before.” I said, “You’ve never seen what?” He said, “You just make all the decisions right here on the spot.” I said, “Yeah.” I mean, you don’t actually have to wait to get memos from the studio. He said he’d never been in a situation where the director did what he wanted, without consultation. I said: “You know, it’s just us making this movie. There’s no one else — there’s no Big Brother.”
Older directors often lose their creative edge as their careers progress. At 71, you don’t seem to have that problem. Why?
It’s a matter of creative force and edge. Cosmopolis, which was not a successful film in terms of box office, for me was a really successful film in terms of pushing the envelope of filmmaking. So I’m really very proud and happy with that film. That’s the thing: I’ve never lost sight of why I’m making films. You can lose sight of it. When you get older, for me, you can even get choosier. If a film isn’t really exciting, if it’s just ordinary, there’s no way I’ll do it. I don’t need the money. Not that I’m rich, but I have enough to live on, and I don’t need to do a movie for money — and I don’t need to do a movie just to be doing a movie. It has to be something that really pushes my buttons, and Maps to the Stars did that. It took 10 years to get it made. The same was true of A Dangerous Method, and Crash as well. The more difficult, interesting films take 10 years to get made. Eventually I’m going to run out of time, but it takes a project like that to get me interested. So I’m not likely to make a boring film.
David Cronenberg making a boring film — that would generate some scandal.That would be the bad kind of scandal, absolutely.Click HERE to read the full interview
NEW PICS: Robert Pattinson is heading to Cannes! We repeat. Robert Pattinson is heading to Cannes!!!
NEW PICS: Robert Pattinson is heading to Cannes! We repeat. Robert Pattinson is heading to Cannes!!!
UPDATE: Tweets from the source are awesome! "He was super sweet. :) Wished him luck at Cannes and got a big smile and a thank you. #Swoon it was amazing... not ONE pap!! I was so happy for him!" Thanks RClarke423!
The King of Cannes is coming! The King of Cannes is coming!
Source
UPDATE: Tweets from the source are awesome! "He was super sweet. :) Wished him luck at Cannes and got a big smile and a thank you. #Swoon it was amazing... not ONE pap!! I was so happy for him!" Thanks RClarke423!
The King of Cannes is coming! The King of Cannes is coming!
Source
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