More Categories To Vote For Robert Pattinson At The Teen Choice Awards

More Categories To Vote For Robert Pattinson At The Teen Choice Awards



We already told you last month that you could vote for Robert Pattinson in these categories at the Teen Choice Awards:

Choice Male Hottie

Choice Movie Actor: Sci-Fi/Fantasy for Breaking Dawn Part 1

AND

Choice Movie: Sci-Fi/Fantasy: "Breaking Dawn Part 1"

NOW you can also vote for Rob in these extra categories:

Choice Movie: Liplock - Robert Pattinson & Kristen Stewart

Choice Movie Actor: Romance For "Breaking Dawn Part 1 "

AND for Breaking Dawn Part 1 in

Choice Movie: Romance

So get yourself over HERE and vote for ROB!

And don't forget you can tune into The Teen Choice Awards on July 12 on Fox

"David Cronenberg Is So Funny, Normal & Such A Great Listener" - Robert Pattinson

"David Cronenberg Is So Funny, Normal & Such A Great Listener" - Robert Pattinson

I think it has totally come across in the interviews and press conferences that we've seen for "Cosmopolis" what a nice guy David is.
In this interview with "Total Film" Rob just confirms that David is a funny, normal guy. No wonder they get along so well ;-)



Video is After The Cut because it's autoplay

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What Made David Cronenberg Choose Robert Pattinson As His Leading Man? - BBC News Finds Out

What Made David Cronenberg Choose Robert Pattinson As His Leading Man? - BBC News Finds Out



Cosmopolis sees teen heart-throb Robert Pattinson as billionaire Wall Street banker Eric Packer, who glides across Manhattan in his limousine in search of a haircut. On the way he encounters sex, violence and anti-capitalist protests.

As well as keeping much of the novel's original dialogue, Cronenberg also kept many scenes inside Packer's noise-proofed, gadget-packed limo.

"I like to shoot in confined spaces," he says. "There's an intensity that immediately affects an actor's performance. Visually it forces you to be quite inventive."

By way of preparation, Cronenberg showed his crew the 2009 film Lebanon, which takes place inside an Israeli tank, and 1981 war epic Das Boot, which takes place inside a German submarine.

"I said: 'Let's not be intimidated by this, this could be quite exhilarating if we do it right.' We built a limo that comes apart like a Lego car in about 24 pieces. I don't think of it as a challenge, but as a lot of fun."

Robert Pattinson's performance as the billionaire banker has been largely well received since the film's Cannes debut.

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Does Robert Pattinson Have Sympathy For Eric Packer?

Does Robert Pattinson Have Sympathy For Eric Packer?

Find out what he told "The Guardian" in the new video interview below.
David Cronenberg talks about having Rob in every scene of the movie and how he chose Rob for the part.
Rob also mentions how most of the movies in the cinema at the moment are superhero movies and "Cosmopolis" is the 1%



You Tube



Source The Guardian via @Gossipgyal
You Tube Thanks to @PatStewBoneCT

Toothpicks, Bad Haircuts & Sex Scenes - Robert Pattinson Talks To GQ (UK)

Toothpicks, Bad Haircuts & Sex Scenes - Robert Pattinson Talks To GQ (UK)



Within moments of meeting Robert Pattinson, GQ.com learns a valuable lesson: you simply can't compete with Twilight fans. Having previously expressed his admiration for Martin Amis in an interview, it was decided we should present everyone's favourite server-crashing undead heartthrob with a copy of the new Amis novel Lionel Asbo. Sadly one literary-minded Edward Cullen devotee has trumped our gift. "I got given a first-edition signed copy of Money by a Twilight fan in Germany yesterday," reveals Pattinson. "She was trying to tell me that she found it in Massachusetts while we were surrounded by all these people screaming."

Pattinson stars in David Cronenberg's striking and strange new film Cosmopolis, out this week, which sees him as an otherworldly billionaire sating his carnal, financial and intellectual desires riding through town in the back of a limousine in search of a haircut. After some preliminaries (when presented with the latest edition of GQ he cries out "Andrew's wearing my suit!"), he talks about his hip-hop moment of glory, the worst haircut he's ever had and what he's learned from working with Frida Giannini at Gucci…

Your character has two lifts in his huge apartment, one of which is soundtracked by hip-hop. Which rapper would you have in your lift?
Robert Pattinson: Definitely Ol' Dirty Bastard. The biopic looks amazing! That guy Michael K Williams as well - I was obsessed with The Wire for ages. The guy who is directing - Joaquín Baca-Asay, who is James Gray's director of photography - is amazing. All his movies look incredible.

How did you feel when Tinie Tempah shouted you out on Chase & Status' "Hitz"?
What? [delighted, bewildered] I haven't heard it. I keep hearing everyone talking about him but for some reason I never really got into British rap. I don't know why.

The line is "Like Rob Pattinson I make a lot of n****s jealous"
Wow. That's really cool, actually. That's amazing. I didn't realise I had that relevance [laughs]. I wonder what made him single me out?

We asked our Twitter followers to pose questions for you. One account "Robearhottinson" asked 48 alone...
Not your typical GQ reader, I'd guess…

But she did ask about your worst haircut…
I did this movie about Salvador Dali a few years ago and had hair extensions and a little bob. That was incredibly bizarre. The extensions were temporary as well. I was trying to swim to somehow get in shape two days before we started shooting in this apartment complex in Barcelona. There were all these children everywhere… and I was this weird, pasty, hungover person with a girl's black bob, swimming in the pool with huge clumps of hair falling out. I had my whole body totally waxed as well because Dali didn't haven't any body hair. It was the most terrifying thing - this is terrible, but I saw the potential cannibal guy [Luka Magnotta] in the Sun today and I looked a bit like him.

Are sex scenes getting easier?
It's always a big thing. Juliette Binoche is one of my favourite actresses and within five minutes of meeting her on this we were pretending to have sex. Which wasn't in the script. With both sex scenes we were supposed to have finished sex before we did the scene. Both times David was just like, "Yeah, just have sex." That was a little awkward. I thought that Patricia McKenzie, who I did the other sex scene with, despised me up until that day on the set. We hadn't said a single word to each other apart from when I asked, "Where are you from?" and she literally looked me up and down. I was like, "I'm not trying to do anything - I don't have any idea!" Then on day of the sex scene she was like, "Hey how's it going?" I don't know what kind of preparation that was for this scene… but it definitely did something.

What TV do you never miss?
In America there is a channel called TruTV which is just reruns of Cops and World's Dumbest Criminals. I could watch that the entire day. Someone told me - I don't know if it's true - that David Simon watched tonnes of Cops to get the dialogue for The Wire. I was like, "I knew it…"

What has working with Frida and her team at Gucci taught you about tailoring?
That's funny, I've never had her singled out before - it's like it's a secret! She taught me one thing - you should definitely have good contacts at Gucci. They're absolutely amazing. The amount of times I've been stuck in some random city and have called her up and had things brought in at absolutely the last minute - it's crazy. But also all this stuff is custom-made. You can do quite crazy things [with colour] if you have incredibly classic, really well-made suits. I guess I've been quite boring for a while. I used to be more interesting with them. Now I always just request things two days before: "Can you send 25 suits?" I don't even know what I want to wear!

What's the strangest gift you've got from a fan?
It's funny: there are certain things that get picked up on really quickly. I quit smoking the other day and didn't even really realise that I'd said anything about it. I've been chewing these f***ing toothpicks all the time. Someone noticed in Cannes and literally the next day in Lisbon, then in Paris and in Berlin there were about 20 people on the red carpet giving me huge amounts of toothpicks. Thousands of them. I don't even remember saying it in an interview but I must have said it somewhere. That was kind of strange. (Kate: As if we wouldn't notice the toothpicks! LOL)

You are one of four individuals who consistently dominate internet discussion. Out of your rivals - Nicki Minaj, Justin Bieber and Lady Gaga - who are you most fond of?
I really like Nicki Minaj. I think she's great. My favourite song? She's amazing in "Monster" with Kanye West. It's annoying that I'm part of this internet thing though - they all have Twitters and an online presence. How did I get part of this group? I didn't do anything. I'm trying to avoid it!

Cosmopolis is out 15 June.

Source GQ UK

VIDEOS: Robert Pattinson compliments Berlin and Kristen Stewart + Sarah Gadon compliments Rob

VIDEOS: Robert Pattinson compliments Berlin and Kristen Stewart + Sarah Gadon compliments Rob

Rob spoke to ZDF while in Berlin doing Cosmopolis promo. It's dubbed and you need to go to the Rob space to hear him. Here are some highlights:

• He mentions how it's nice that fans are still excited even though he was there two months ago (Berlinale). He's funny.
• Compliments Kristen Stewart and says other things but I can't tell what the question was
• He loves Berlin and would like to be there for some time

Sarah Gadon mention Rob during eTalk as well. She says, "he's so British, self-deprecating, and awkward. Then he would become Eric Packer, strong and commanding. When David yells cut, Rob would come back." It's cute how she says this :)

Video after the cut!

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Cosmopolis Reviews Part 4: Robert Pattinson's performance is "incredible", "riveting", "layered" and "one of the best of the year"

Cosmopolis Reviews Part 4: Robert Pattinson's performance is "incredible", "riveting", "layered" and "one of the best of the year"



Cosmopolis opens in the UK and Ireland this Friday and the reviews keep pouring in. Kate will be giving her review on Friday as well as posting our next round of spoiler/reaction threads. The conversations in the DR about this film have been excellent. I can't wait for more talk from y'all after more have seen it.

Here's a collection of newer reviews but in case you've missed previous posts threads, click HERE to view or visit the individual links:

• Part 1 - "Robert Pattinson giving a commanding, sympathetic portrait!"
• Part 2 - "Sensational central performance from Robert Pattinson"
• Part 3 - Robert Pattinson is "excellent in a difficult role"
• Spoiler Post #1 
• Spoiler Post #2 + Toronto premiere review

Excerpt from Uptown Magazine (4 stars):

Pattinson’s detached delivery could be considered jarring. If you think of Packer as the spiritual descendant of Bret Easton Ellis’s Clay character from Less Than Zero, you will understand the true genius of Pattinson’s performance and see it as completely appropriate as opposed to cardboard.

Again, like Limits of Control, all of this non-action is leading towards something — and it’s a beautiful payoff. Other than the loss of his fortune, the main issue is that Packer is being stalked throughout the film by an unknown assailant. In the final act, Pattinson faces off against Paul Giamatti, in a scene that is both terrifying and entertaining. It’s a lot of fun to watch these two actors trading barbs, and it brings to mind another Cronenberg film, A History of Violence, in which William Hurt faces off against Viggo Mortensen. Hurt received an Oscar nomination for the climactic scene (which lasted less than 10 minutes) and it wouldn’t be a shocker if Giamatti was recognized for his work here.

There’s no doubt that Cronenberg made the film he wanted to make with Cosmopolis. In tone and style, it’s similar to Naked Lunch or Dead Ringers, but it’s not much like his recent work with Mortensen. Rather, it’s a return to form.

Excerpt from New Statesman:

In its favour, the film has Pattinson. Part of his success in evoking Eric’s contradictions is down to physiognomy: the upper half of his face, where his oversized eyes bulge from beneath a curved shell of forehead, seems engorged by cerebral activity, while his boxy jaw juts forward a fraction like Ted Hughes’s Iron Man. He brings hunger but also delicacy. Asking his driver where all the limousines go at night, he’s like Holden Caulfield fretting about Central Park’s ducks when the lake freezes over. It’s human experience that Eric finds hard to process. His sensibility is so rooted in abstraction, he barely notices the demonstrators vandalising his limo; he can’t see that they have turned it into a makeshift Rothko, spray-painting a red-and-black fuzz across its windows.

 Excerpt from The Arts Desk:

Cronenberg directs an icily impressive Robert Pattinson in a slick, cerebral satire 

...

Robert Pattinson – well cast here - has that slightly inhuman, albeit striking, appearance (something the Twilight franchise has so successfully capitalised on) and possesses a complexion which suggests he’s a stranger to the outside world. In Cosmopolis, rather than being tortured by love he’s beset by ennui.  

...

Cosmopolis might be, in part, a study of detachment but it’s cinema at its most intimate and inquisitive. It’s a challenging film which still entertains. It’s fairly short with an excruciatingly anxious yet playful finale, revealing the identity of Eric’s deadly stalker and rewarding its audience’s patience. There’s humour, particularly in Amalric’s appearance as cream pie vigilante Andre Petrescu (“Today you are cremed by the master!”). It’s not always entirely coherent and some will no doubt find its musings tedious but, slowly but surely, Cronenberg pushes our buttons and our limits. 

DIY gave Cosmopolis an 8 out of 10 and raved about Rob's performance:

It's hard to imagine another actor making such a remarkable impact as Pattinson. In every single wordy scene, he is incredible, from his subtly twitchy opening frame to the warped sexual tension displayed during his medical exam and how masterfully he utters every challenging line, imbuing them with world-weariness and logic. It's a breakthrough performance for the Twilight star, who has consistently chosen interesting projects despite his heart-throb status, and Cronenberg's brave casting has paid off. Pattinson is riveting throughout - there is a maelstrom of fierce intelligence in his financial wunderkind, bubbling under a controlled stoniness. It's a layered performance, one of the best of the year, that makes the often pretentious and unrelatable theories believable and compelling. Pattinson holds this stagey yet visually memorable film together, even when it unravels unsatisfyingly - he makes the film worth your while. You won't see another film starring an A-list idol this brave for a long time.

From Cinemablographer:

Eric’s confrontation with Benno is a great tour-de-force for Pattinson and Giamatti in which Eric must finally face up to the consequences of capitalism.

Pattinson makes an impressive career move as the laconic Eric Packer. Even though the steely tycoon speaks in the expressionless monotone of Edward Cullen, Pattinson gives the character a sense of removal that makes the whole film work. Cosmopolis might be Cronenberg’s most dialogue-heavy film yet, but Pattinson’s dry delivery of the emotionally vacant script brings the film to life. As played by Pattinson, Eric Packer is a hollow empty shell of a man with which to serve a healthy dose of Cronenbergian allegory. It’s often said that casting is 90% of directing, and Cronenberg certainly lands an A with this pleasant surprise.

CineVue gave the film 4 out of 5 stars:

Pattinson produces a performance rich in mood, tone and delivery, comfortably embracing a plot full of seriously bizarre and awkwardly funny moments, vindicating the Canadian master's bold call. In support, Paul Giamatti, Juliette Binoche and Sarah Gadon are also well-chosen for their respective - if slight - roles.

Excerpt from Total Film:

But really, this is about a man tearing his world apart to see what’s there – and you get the feeling that’s exactly Pattinson’s game plan. Water For Elephants (beaten by Christoph Waltz’s henchmen) and Bel Ami (seduce-anddestroy in 19th-Century Paris) have hinted at his urge for darker roles, but Cosmopolis is a game-changer for him.

He’s distant, sardonic, nihilistic, enigmatic and very watchable. It’s intriguing to imagine how different it might have been with original lead Colin Farrell, a man with proven shadowy sexual charisma (Fright Night) and compact star power (Phone Booth).

But Cronenberg has helped lift another level of performance from Pattinson, who channels his vampiric blankness for deeper purposes and never disappears completely behind Packer’s black suit and shades. Cinematographer Peter Suschitzky’s precise, clinical visuals put Pattinson under intense scrutiny. But he chews through the challenge of Cronenberg’s immensely literate script – lifted hand over hand from the prose in Don DeLillo’s dense, stylish novel – with real confidence.

From Den of Geek, who gave the film 4 out of 5 stars:

As for the Twilight star, who has to shoulder being in literally every scene of the movie, it will no doubt upset some people to hear that he acquits himself more than admirably. Managing the tricky task of being both simultaneously aloof and vulnerable, Pattinson mines the ambiguity in Packer’s character for all it’s worth.

Slowly stripped of both Packer’s literal and metaphorical armour as the film progresses, the quality of Pattinson’s performance is brought into sharp focus in the film’s climactic scene. Going toe-to-toe with the superb Giamatti in an extended face-off, Pattinson more than holds his own with the veteran actor.

...

If you’re interested in seeing a top-of-the-line director working with great actors and provocative material in a form that English language cinema seems to have all but turned its back on, then Cronenberg’s latest is definitely worth both your time and money.

TimeOut gave the film 3 out of 5 stars:

There’s a consistent air of charged, end-of-days menace running through the film, which Cronenberg handles with an unbroken sense of precision and confidence. He’s well served, too, by a leering, disintegrating Pattinson, giving a commanding, sympathetic portrait of a man being consumed by his own vanity and power.

From The Coast (Halifax’s Weekly):

Financial jargon spun into pure poetry

…

It could all quickly get self-indulgent, but Cronenberg is masterful here. His screenplay wisely keeps much of DeLillo’s jazzy prose, which pushes financial jargon into the realm of poetry. Pattinson too delivers an inhuman performance, as cold and sharp as porcelain. This is a symposium on the spectre of capitalism, so bring a friend. You’re going to want to talk about it afterwards.

LOVEFiLM gave Cosmopolis 5 out of 5 stars:

That’s David Cronenberg’s adaptation of Don DeLillo’s 2003 novel in a nutshell, and if you have been fooled by that kickass trailer into expecting something dynamic and punchy, well you have been fooled, because the movie is a different beast entirely.

But it is brilliant, I think, a long-awaited return to the kind of subversive science fantasy that used to be Cronenberg’s specialty, before he went all respectable (well, I exaggerate, but A Dangerous Method, Eastern Promises and A History of Violence are well-behaved films in comparison).

Cosmopolis received a mixed-to-lukewarm reception at the tail end of Cannes last month, but people weren’t prepared for its weirdness, the talk and the static and the Pattinson… It’s a strange combination. What we have is pure Cronenberg; his most Cronenbergian movie since eXistenZ (which was his last solo script credit, not so coincidentally), and in many ways a throwback to Naked Lunch and Videodrome.

…

Some folks are reluctant to admit Robert Pattinson can act. They will come round eventually. The guy is more than his haircut. This is a talky script, but he navigates it with skill and conviction, especially the lengthy two-hander with Paul Giamatti at the climax.

Slyly funny and at least as philosophical as it is political – by which I mean it’s as concerned with existential angst as much as social inequities – I predict Cosmopolis will come to be seen a one of Cronenberg’s purest accomplishments.

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