“I love what Rob (Pattinson) did in Cosmopolis…on the outside he’s all ‘I don’t know what I’m doing’, but he’s very smart….I get along really well with all my leading men.
~Sarah Gadon to ASOS
Gadon, who appeared Friday on Global’s The Morning Show, also talked about co-starring with actors like Robert Pattinson (in Cosmopolis) and Jake Gyllenhaal (in the upcoming Enemy). “I have these surreal moments where I’m like, ‘I’m pregnant with Jake Gyllenhaal’s baby’ and ‘I’m telling Robert Pattinson that he smells of sex,’” she admitted. “But you’re acting so the focus is on the work.”Click HERE to read the entire article.
A contemporary tale exploring the demons of our celebrity-obsessed society, story follows the Weiss family, which is led by Stafford (Cusack), a psychotherapist and life coach who made his fortune with self-help books. His wife (Williams) is the overbearing mother-manager of their 13-year-old son (Bird), a TV star recently out of drug rehab. Their estranged daughter (Wasikowska) has just been released from a psychiatric hospital and befriended a limo driver (Pattinson) who is also an aspiring actor.
One of Stafford’s celebrity clients is Havana (Moore), an actress with an unusual new assistant. Havana’s dream of reprising her dead mother’s (Gadon) starring role from the 1960s slowly crumbles while ghosts, death and all manner of vices collide.
eOne and Prospero Pictures executives reported on Monday [15] that principal photography has begun on David Cronenberg’s Maps To The Stars.
The shoot in Toronto and Los Angeles is expected to last 30 days. eOne will distribute directly in the US, Canada, the UK and Australia and New Zealand, while eOne Films International handles all remaining international rights.Check out this great write up from The Film Stage :
David Cronenberg has begun shooting a new film, and today is officially a good day for cinema. You’ll recall that his social satire / ghost picture, Maps to the Stars, was in casting stages for a few months prior, our most recent report adding the talents of Mia Wasikowska and Olivia Williams to an already stacked lineup — Robert Pattinson (the director’s Cosmopolis star), Sarah Gadon (also of the 2012 picture), John Cusack, and Julianne Moore all being tapped to lead. Everything’s been coming up Milhouse.
With cameras officially rolling — and this endeavor, at some point, seeing Cronenberg make a directing debut in the United States — some fresh, worthwhile information has begun to file in. Of an appreciably spoiler-free manner is the following plot synopsis, which, in widely expanding the scope on Bruce Wagner‘s screenplay, alters a few personal expectations
Here’s hoping Maps to the Stars is only part two of a Cronenberg-Pattinson “limo trilogy.” Prospero Pictures and SBS Productions have backed the title, for which eOne — yet another Cosmopolis holdover — are to provide domestic distribution. Expect the cast and crew to show off their work in 2014, most likely premiering the title at Cannes.
It’s about damn time this picture gets ready to go….the auteur will be joined by one hell of a cast. This sounds like yet another superb satire from one of today’s great satirists, and it’s interesting to see Pattinson re-team with his Cosmopolis director for another film. I was a huge fan of that picture, and really think this could be the start of a really exciting friendship. Hopefully this one can arrive sooner rather than later.ScreenRant:
Pattinson has been attached to the project almost since its conception and, as was the case with Cronenberg’s 2012 thriller Cosmopolis, it’s largely thanks to the involvement of the highly bankable star that Maps to the Stars has received funding and is heading into production.CinemaBlend:
Few directors have had such noticeable career arcs as mad genius David Cronenberg. His early career was filled with paranoid science fiction that thrived on mutilated humans, and that aesthetic was left behind and a more thoughtful approach to the stranger plateaus of the human condition took over his work during the 1990s. And in the last ten years, he’s given us a handful of stories drowning in gritty realism as well as an uncharacteristic novel adaptation and the birth of psychoanalysis.TheFilmStage:
So of course it makes sense that his next project would have one of the stranger plotlines around, but as per usual, he’s got a great cast already involved.
Yeah, it sounds like something we’re very much looking forward to…DreadCentral:
A-list cast lines up…ThePlaylist:
…It’s also a “ghost story,” which certainly raises an intrigued eyebrow. The cast is top shelf…MTV:
“Cosmopolis” director David Cronenberg may have found his new muses. The auteur has just enlisted Robert Pattinson and his “Cosmopolis” co-star Sarah Gadon for his next project, “Maps to the Stars.”There are a few more excerpts on MapsToTheStarsFilm. Kate and I will be over there covering the film and all involved and of course bringing you the Rob specifics here. :)
Celebrity is a subject she is becoming more and more familiar with. Recounting a story about R-Pattz, she confesses, "There are those surreal moments when you think, 'Wow, I worked with that person!'"Click To Read
The two appeared on a French talk show, and Sarah recalls, "It was nuts. There were so many fans. In my head I was thinking 'Oh yeah, I guess I forgot you're this massive movie star'."
With this films they both enter that small pool of actors that have a shot at becoming the next Pitt or Depp. But these days everyone is asking..... Can you become the next Robert Pattinson?If you want to check out the rest of the article head over to TheHostMovieNews.com
Max: “It is a very lazy comparison, because Twilight was a phenomenon unto itself. Pattinson was chased down the streets of Paris before the films even came out. And he is doing well for himself. He has about five films with acclaimed directors lined up.(Kate: Well done Max. You're paying attention!)
Jake: “A lot of people expect us to knock the Twilight cast. But Taylor Lautner is a really nice kid. Robert Pattinson, I couldn’t imagine the tremendous amount of pressure he was under — and he earned my respect when I saw him fight for certain projects. Water for Elephants is a great novel, the movie is what it was. That’s not his fault. That’s the risk; we’re the face of projects.” (Kate: It was exactly what you would expect from a great novel...... A great movie!)
Both name check highbrow directors and repeatedly mention how Twilight paved the way for Pattinson to work with David Cronenberg on "Cosmopolis"
M&C: Your character’s relationship with Eric Pattinson) her husband, is oddly straightforward – it’s love/hate. It’s brittle, combative and sexual. What's your take on it?
Gadon: So often as a female actress you’re accustomed to reading material where the male character projects onto you exactly what you’re feeling and exactly what you’re working in and exactly what your actions are in a scene.
What I thought was so hilarious about the two of them is that he spent the entire time trying to project onto her – “I want to fuck you, I think you’re sexy, I want this. That, you’re sad, you’re happy”.
And she spends the whole time saying “No, no” until the end of the arc when he says “I’m not going to be the man you want me to be” and she says "Okay well, I’m out”. It was so refreshing to me to read that also terrifying. There is a charisma to the way she does it. But there is no blazing moment where the screenwriter is saying “fall in love with this woman” because she’s a woman.
M&C: Was your purpose was to dominate the indomitable guy?
Gadon: I think that’s why women are so responsive to the character. Men say to me “So she’s really cold” [laughs] but that is what is so great about David is that as a filmmaker, he leaves so much open to interpretation and he allows for the female and male spectator.
He’s not assuming all audiences members are young men. He’s saying “I'm going to give you a guy like this or a girl like this and then a woman and a sex scene like that”. That’s what I find so stimulating about his work. I'm speculating into the void now but I think he really does account for audiences that are both men and women.
M&C: He has a strong wife and daughter. He’s interesting to see him grow over the years; he seems to have relaxed as a director now, perhaps less of a control freak now.
Gadon: But he is not a lax director. Everything is so defined. He spent a lot of time getting the script to get to that point. So often, as Rob Pattinson says, you get material that is not fully developed and just because of the nature of the industry now, you don’t know what’s going to get green lit.
It has nothing to do with the script and everything to do with the casting, director, financing, so an actor may go to camera with a script that is not going to be developed anymore.
It creates a different kind of role for an actor. So often you’re trying to figure out a scene, the action, intention, emotion with the director on the day and it’s just a lot messier. With David it’s already there.
There is that difference, but on the day. He’s there watching and listening and he comes up and says something, even a word, “comprised”, not composed”, and you’ll say it and it will change your whole performance.
Rob and I had breakfast, lunch and dinner in the movie and he wanted us to sit side by side. He asked us to sit outward until the end of the scene when we face each other. Things like that that change your performance. He likes to play like he’s laid back!