These are loooovely!
See all the pics from the shoot under the cut!
Showing posts with label new york times. Show all posts
Showing posts with label new york times. Show all posts
PICS: New HQ pics of Robert Pattinson from New York Times shoot
PICS: New HQ pics of Robert Pattinson from New York Times shoot
These are loooovely!
See all the pics from the shoot under the cut!
These are loooovely!
See all the pics from the shoot under the cut!
What Would You Do If You Had 13 Minutes With Robert Pattinson? Answers on a postcard!
What Would You Do If You Had 13 Minutes With Robert Pattinson? Answers on a postcard!
Photographer Ryan Pfluger had 13 minutes with Robert Pattinson and I think you'll agree he did pretty good!
Pics from earlier but now in colour
Click for Larger
Photographer Ryan Pfluger had 13 minutes with Robert Pattinson and I think you'll agree he did pretty good!
Pics from earlier but now in colour
Click for Larger
INTERVIEWS: Robert Pattinson talks to the NY Times, San Francisco Chronicle and more about The Lighthouse
INTERVIEWS: Robert Pattinson talks to the NY Times, San Francisco Chronicle and more about The Lighthouse
Time for you to grab a cuppa (did I say that right, Kate?) and sit down with all these great Rob interviews! Also while gazing at the beautiful pictures!
Rob spoke with the New York Times, Datebook from the San Francisco Chronicle via the Datebook Podcast, and The Frame Podcast.
First up, an excerpt from the NY Times: What Can Robert Pattinson Do to Keep You Guessing?
Now, an excerpt from SF Chronical's Datebook interview: Robert Pattinson recalls Stonestown mall riot and getting weird in ‘Lighthouse’
The interview was also recorded and posted on Datebook's podcast. You know you want to listen to Rob! Plus, they written version is edited. Unedited Rob is the BEST.
Click HERE to scroll down and listen to Rob's interview on Datebook's Podcast!
Our final interview is another podcast, The Frame. 16 minutes of pleasure. Ready?
Click HERE to listen to more Rob!
Photos: NYTimes | Datebook |
Time for you to grab a cuppa (did I say that right, Kate?) and sit down with all these great Rob interviews! Also while gazing at the beautiful pictures!
Rob spoke with the New York Times, Datebook from the San Francisco Chronicle via the Datebook Podcast, and The Frame Podcast.
First up, an excerpt from the NY Times: What Can Robert Pattinson Do to Keep You Guessing?
After “Twilight,” the actor reinvented himself in art-house films. How will he follow “The Lighthouse” and his wildest role so far? With yet another swerve: He’s playing Batman.
Is it fair to say you’re drawn to eccentric characters?Click HERE to visit NYTimes and read the entire interview.
I’ve always thought that the only reason you’d want to play a good guy all the time is because you’re desperately ashamed of what you’re doing in real life, whereas if you’re a pretty normal person, the most fun part of doing movies is that you can explore the more grotesque or naughty sides of your psyche in a somewhat safe environment. And it’s always more fun if you’re shocking the people in the room. If you end up being boring, that’s the lowest of the low.
Do you think you’ve been boring before?
All the time. You can bore yourself! On “The Lighthouse,” I’d do two out of 17 takes that work, and on the other ones, I’d roll the dice in a different direction that leads me nowhere. But it’s more fun doing that than making a plan and sticking to it.
What was the first day of shooting “The Lighthouse” like?
Well, my first shot was this ferocious masturbation scene. It’s always nice to do something massive for your opening shot, and I went really massive on the first take. It was a 180 from everything we’d done in rehearsal, and I could see Robert [Eggers] a little in shock afterward. But I was like, “O.K., cool, I didn’t get told to stop, so I’ll keep going in that direction.” As soon as I’d done that, it was like the road started getting paved.
Now, an excerpt from SF Chronical's Datebook interview: Robert Pattinson recalls Stonestown mall riot and getting weird in ‘Lighthouse’
Q: I was worried you were going to lose more than a button seeing your physically demanding performance in “The Lighthouse.” How did you get to a place where you could portray that type of isolation and insanity?Click HERE to read the entire article.
A: The script was so kind of audacious, there were moments with things in it I’d never seen anything like it in any other script. You realize you had to take a kind of running jump to kind of even reach any of it. I’m attracted to scripts where you first read it, it’s very engaging and you feel, “Wow, this has got some kind of totemic qualities, something really primal and powerful about it.” And it’s also working with Willem, I’ve seen the amount of energy that Willem can bring to a performance, so I kind of knew that it was going to be an adversarial type of relationship.
Q: Did you and Willem do any kind of exercises to get to a place where you were comfortable enough to do some of these very physically intimate scenes?
A: We rehearsed for a week, Willem loves rehearsing and I really dislike it, which is kind of handy for our relationship. We did five days of rehearsing and I just found it to be the most incredibly stressful thing in the world. By the time we were shooting with each other, there was already this weird tension, it’s the opposite of what’s supposed to happen from rehearsals, normally it’s supposed to get people relaxed with each other. I love Willem, he’s such a lovely personable guy but there was this strange energy.
The interview was also recorded and posted on Datebook's podcast. You know you want to listen to Rob! Plus, they written version is edited. Unedited Rob is the BEST.
Click HERE to scroll down and listen to Rob's interview on Datebook's Podcast!
Our final interview is another podcast, The Frame. 16 minutes of pleasure. Ready?
Click HERE to listen to more Rob!
Photos: NYTimes | Datebook |
NEW PICS: Robert Pattinson gorgeous in tagged, outtakes from Cannes NYT photoshoot (May 2017)
NEW: More amazing pics from Robert Pattinson's NYT photoshoot in Cannes!
NEW: More amazing pics from Robert Pattinson's NYT photoshoot in Cannes!
These are gorgeous! We get a couple without tags but his beauty still shines through even the tagged ones. Enjoy!
MORE UNDER THE CUT!
These are gorgeous! We get a couple without tags but his beauty still shines through even the tagged ones. Enjoy!
MORE UNDER THE CUT!
NEW PIC: Robert Pattinson talks to NYT about his career turning point, a German director in his sights and more!
NEW PIC: Robert Pattinson talks to NYT about his career turning point, a German director in his sights and more!
Another great read about Rob and his career. Lots of great quotes from Rob and a thoughtful editorial. Enjoy!
From New York Times, Robert Pattinson Knows What You Think, but He Can Work With That:
CANNES, France — On Wednesday, I had an espresso with Robert Pattinson on a rooftop terrace overlooking the Mediterranean.
That is the kind of preposterous sentence that a critic sometimes finds herself writing from the Cannes Film Festival, where Mr. Pattison’s new movie, “Good Time,” is in competition. The next morning, the movie shook up a largely listless event that has been stuffed with near-misses and entries that tend to preach at viewers or punish them, often both. “Good Time,” by contrast, is pure cinematic pleasure about an often funny, sometimes shocking rush into the abyss, one that earned Mr. Pattinson a lot of critical love here if no awards.
Mr. Pattinson plays Constantine Nikas, a.k.a. Connie, a calamitously inept bad guy who, during one terrible New York adventure, leaves ruin and broken bodies in his wake. Directed by the brothers Josh and Benny Safdie, “Good Time” is thrillingly energetic and focused. It doesn’t peddle a message or redemption, but instead tethers you to an oblivious narcissist who pushes the story into an ever-deepening downward spiral. As errors turn into catastrophes, Connie grows increasingly feral, becoming a character who is a biliously funny reproach to the American triumphalism that suffuses superhero flicks and indies alike and insists that success isn’t just inevitable but also a birthright.
“Good Time” is part of a fascinating course correction undertaken by Mr. Pattinson, who in recent years has appeared and almost disappeared in art cinema titles like “The Childhood of a Leader” and “The Lost City of Z.” Although he brushed against blockbuster fame playing a doomed character in the “Harry Potter” franchise, he became a global name in the role of Edward Cullen, the pallid vampire heartthrob in the “Twilight” series. That celebrity turned frenzied when Mr. Pattinson and his co-star Kristen Stewart began a long on-and-off relationship that quickly turned into fodder for the publicity grinder and was almost inevitably folded into the “Twilight” brand and saga.
During his “Twilight” years, Mr. Pattinson was not always treated kindly by critics who did not necessarily see beyond his beauty or his utility as one of that series’ cinematic objects of desire. Unlike Ms. Stewart, he also did not have an earlier body of work that indicated he could do more than pout prettily, even if his turns in small movies like “Remember Me” (2010) showed promise. It was, however, “Cosmopolis,” the 2012 dystopian fantasy from David Cronenberg, based on the Don DeLillo novel, that effectively set Mr. Pattinson’s career path. “I think it was the first time when I worked on something that was quite complex,” he said.
“Cosmopolis” was, he added, essentially the first movie he made after he finished the final chapter of the “Twilight” series. “I especially love the fact that it came out really at the height of my popularity,” he said. Cast as a master of the universe who endures a spectacular, increasingly violent and humiliating fall, Mr. Pattinson sees the movie as “the big turning point for me — I just realized that was what I wanted to do.”
Click HERE to finish the article at NYT!
Another great read about Rob and his career. Lots of great quotes from Rob and a thoughtful editorial. Enjoy!
From New York Times, Robert Pattinson Knows What You Think, but He Can Work With That:
CANNES, France — On Wednesday, I had an espresso with Robert Pattinson on a rooftop terrace overlooking the Mediterranean.That is the kind of preposterous sentence that a critic sometimes finds herself writing from the Cannes Film Festival, where Mr. Pattison’s new movie, “Good Time,” is in competition. The next morning, the movie shook up a largely listless event that has been stuffed with near-misses and entries that tend to preach at viewers or punish them, often both. “Good Time,” by contrast, is pure cinematic pleasure about an often funny, sometimes shocking rush into the abyss, one that earned Mr. Pattinson a lot of critical love here if no awards.
Mr. Pattinson plays Constantine Nikas, a.k.a. Connie, a calamitously inept bad guy who, during one terrible New York adventure, leaves ruin and broken bodies in his wake. Directed by the brothers Josh and Benny Safdie, “Good Time” is thrillingly energetic and focused. It doesn’t peddle a message or redemption, but instead tethers you to an oblivious narcissist who pushes the story into an ever-deepening downward spiral. As errors turn into catastrophes, Connie grows increasingly feral, becoming a character who is a biliously funny reproach to the American triumphalism that suffuses superhero flicks and indies alike and insists that success isn’t just inevitable but also a birthright.
“Good Time” is part of a fascinating course correction undertaken by Mr. Pattinson, who in recent years has appeared and almost disappeared in art cinema titles like “The Childhood of a Leader” and “The Lost City of Z.” Although he brushed against blockbuster fame playing a doomed character in the “Harry Potter” franchise, he became a global name in the role of Edward Cullen, the pallid vampire heartthrob in the “Twilight” series. That celebrity turned frenzied when Mr. Pattinson and his co-star Kristen Stewart began a long on-and-off relationship that quickly turned into fodder for the publicity grinder and was almost inevitably folded into the “Twilight” brand and saga.
During his “Twilight” years, Mr. Pattinson was not always treated kindly by critics who did not necessarily see beyond his beauty or his utility as one of that series’ cinematic objects of desire. Unlike Ms. Stewart, he also did not have an earlier body of work that indicated he could do more than pout prettily, even if his turns in small movies like “Remember Me” (2010) showed promise. It was, however, “Cosmopolis,” the 2012 dystopian fantasy from David Cronenberg, based on the Don DeLillo novel, that effectively set Mr. Pattinson’s career path. “I think it was the first time when I worked on something that was quite complex,” he said.
“Cosmopolis” was, he added, essentially the first movie he made after he finished the final chapter of the “Twilight” series. “I especially love the fact that it came out really at the height of my popularity,” he said. Cast as a master of the universe who endures a spectacular, increasingly violent and humiliating fall, Mr. Pattinson sees the movie as “the big turning point for me — I just realized that was what I wanted to do.”
Click HERE to finish the article at NYT!
FKA Twigs Talks About Her Relationship With Robert Pattinson To NY Times
FKA Twigs Talks About Her Relationship With Robert Pattinson To NY Times
In a recent interview with The NY Times FKA Twigs was asked about her relationship with Rob. Check out what she had to say in the excerpt under the pic.
From The NY Times
If you want to read the full interview, check it out over at NYTimes
In a recent interview with The NY Times FKA Twigs was asked about her relationship with Rob. Check out what she had to say in the excerpt under the pic.
From The NY Times
Ms. Barnett likes to say she’s “masquerading as a pop star,” while also being sucked into the vortex of “Twilight,” with photographers around the world chronicling her relationship with Mr. Pattinson. “It’s really hard — I can’t begin to explain how awful it is,” she said. “It makes you want to just stop everything sometimes. It makes you want to smash your face into the mirror."It's sad to read that the NY Times are blaming Rob fans for the racial insults being sent to Twigs. Hopefully they'll edit the article and correct their error.
Worst of all are the racial insults — she is biracial — on Twitter and Instagram, some of them from die-hard fans of Mr. Pattinson. “It’s relentless,” she said. She insisted that the attention their relationship draws does not help her professionally. “There’s no amount of songs I can sing or dances I can dance that will prove to them I’m not a monkey.”
“I didn’t see my life going this way at all,” Ms. Barnett said of recent events. “But it’s worth it. I’m so happy.”
.....
Ahead of rehearsal this week, she met Mr. Pattinson on a Chelsea street corner in broad daylight, no tinted S.U.V. in sight, and strolled off with a hand around his waist.
If you want to read the full interview, check it out over at NYTimes
More NEW Info For Those Attending Robert Pattinson & David Cronenberg's "Cosmopolis" Q&A In NY
More NEW Info For Those Attending Robert Pattinson & David Cronenberg's "Cosmopolis" Q&A In NY
There won't be a live audience Q&A instead they're getting people attending to email in questions that will be asked. I have to admit this makes me happy for obvious reasons ;-)
Check out this and more info for those attending plus where you'll be able to watch online below...............
Ticket holders will have received an email from the NYTimes about where to send questions.
SO what are waiting for, get those questions in for Rob & David!
There won't be a live audience Q&A instead they're getting people attending to email in questions that will be asked. I have to admit this makes me happy for obvious reasons ;-)
Check out this and more info for those attending plus where you'll be able to watch online below...............
Camping outside the venue overnight is not permitted. The area outside The TimesCenter is private property and building security will remove anyone who remains overnight on the property.
The doors to the lobby of The TimesCenter will open early for this event, at 4pm, and patrons may queue up at this time. We encourage you to arrive no earlier than 4pm.
Doors to the theater will open at 6pm. Only ticketed patrons will have access to the lobby and theater of The TimesCenter.
Any photography, video and/or audio recording are strictly prohibited in the theater. Violators may be subject to removal.
This event is being filmed and Webcast live on new.livestream.com/nytimes. Video of the event will be available on demand, also at new.livestream.com/nytimes..
We will not have a live audience Q&A for this event. We are, however, accepting questions in advance. Our moderator will choose a select number of these questions to read to Mr. Cronenberg and Mr. Pattinson during the interview.
Ticket holders will have received an email from the NYTimes about where to send questions.
SO what are waiting for, get those questions in for Rob & David!
HQ Pictures of Robert Pattinson in New York Times Shoot
HQ Pictures of Robert Pattinson in New York Times Shoot
Taken during Eclipse promo, the New York Times photoshoot is now larger than ever!
Click away on the thumbnails to satisfy your high quality needs.
You won't be disappointed :)
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