Good snippet about The Childhood of a Leader in Total Film magazine. Rob and Brady talk about the film and Brady points out Rob's star power. :)
Full Scan
Source: Total Film magazine (August 2016) | Via
A movie star with swashbuckling good looks might suggest Twilight’s Robert Pattinson is just one of many Hollywood commodities, but beneath the surface, you’ll find far more substance in this talented Brit.
Adored by his committed fans and praised by critics, Robert Pattinson is a “pretty boy” with a talent that matches his appealing good looks. A childhood model from the age of 12, Pattinson quickly became a film star after his appearance as Cedric Diggory, alongside Daniel Radcliffe, in Harry Potter and the Goblet of Fire.
Unfairly ignored by those thinking of him only as “that guy from those vampire movies”, Pattinson proved that Twilight, while winning him favour with audiences across the world enamoured by the gothic, Romeo and Juliet-style romance of the Twilight series, only highlighted a small proportion of his acting talent.
(....)
Perhaps what’s most appealing about Pattinson within his movie work is his courage to experiment. After Twilight you’d forgive him for pursuing similarly commercial roles – the sort guaranteed to gain favour from his core group of younger fans – but he hasn’t done that. In fact, he appears to have sacrificed “safe” projects for far more demanding films.
While you may argue the adoration aimed at his celebrity lifestyle and private romances is keeping his profile primed within mainstream media, his choice of work, particularly his recent projects with the distinctly un-mainstream David Cronenberg in Cosmopolis and Maps to the Stars, have hardly deterred his devoted followers.
Take for example Rey in David Michôd’s The Rover. A far cry from the milky-white skin of his former vampire persona, Pattinson is grizzled and bloodied here in a performance widely praised.Kenneth Turan of The Los Angeles Times called the actor a “revelation”, describing Rey as a “damaged, unfocused individual who is the older man’s half-unwilling accomplice.”
Todd McCarthy, writing for The Hollywood Reporter, clearly saw an actor determined to shed pretty boy baggage in favour of edgier, riskier, far less superficial roles. “Pattinson delivers a performance that, despite the character’s own limitations, becomes more interesting as the film moves along, suggesting that the young actor might indeed be capable of offbeat character work.”
This sentiment was echoed by Ryan Pollard in his review for Top 10 Films. “Robert Pattinson is really coming into his own as an actor, after having landed fascinating roles since the Twilight years, and recently excelling in David Cronenberg’s striking Maps to the Stars. Here, Pattinson [is] perfectly able to play someone who’s slightly crazy and dangerous, yet somewhat sympathetic and tragic underneath.”
It might be surprising that Robert Pattinson hasn’t gone “off the rails” having achieved fame at a young age and had to endure the invasive eye of the tabloid press for most of his young adult life. But here is a man whose intelligence perhaps belies his formative years played out in the limelight of celebrity. Cronenberg talks of Pattinson’s intelligence as an actor, his ability to recognise the nuances of character, and understand why the director wants to do things a certain way. “He’s very well-read, and very well-versed in cinema – which I’m not sure his fans know,” he said.
He’s also far more selfless than many of his peers. His work for various charities dates back to the late 2000s when he supported the ECPAT UK’s campaign Stop Sex Trafficking of Children and Young People to stop human trafficking. The following year he donated his own artwork to PACT which auctioned on eBay, to help the organisation working for missing children. He also donated a sketch, drawn by himself, called Unfinished City which raised $6,400 for an Arizona based homeless centre.
In subsequent years he has participated in a number of initiatives to raise cancer awareness including auctioning items of his own to raise money for various charities.
If that wasn’t enough, the multi-talented Brit has also composed music which has gone on to appear in his movies. Skilled at both piano and guitar, he co-wrote and sang Never Think for the Twilight soundtrack and also played guitar on the Death Grips song “Birds”. The actor has quipped: “Music is my back-up plan if acting fails.
It’s the teen fandom, beguiling boyish good looks, English charm, and multi-million dollar fantasy franchise versus a cinematic intelligence and diverse acting range, selfless attitude and philanthropic endeavour, that makes Robert Pattinson a “talent for the unexpected”. Here is a man who’s the polar opposite of someone like Justin Bieber – all packaged, manufactured and commodified. Pattinson’s a genuine talent – a Hollywood good-guy whose success so far is just the tip of the iceberg.
"Despite not wanting to shoot during magic hour, we did have one scene with very low sun in the late afternoon, which was intentional—when Guy is cleaning Robert [Pattinson’s] wounds. If there is such a thing as a love story between the two characters, then that would have been their moment, when they get closer to each other. That was their romantic scene in the movie."
The ubiquitous heartthrob Robert Pattinson stars in a new commercial as the new face for Dior Homme Eau for Men. Directed by Romain Garvras (maker of the controversial promo for Justice’s track "Stress" Pattinson channels James Dean—living with complete abandonment of the rules. His lust for life, paired with his undulating intensity, inspire this deeply emotional modern love story (aptly titled “1000 Lives”), which unfolds with Led Zeppelin’s "Whole Lotta Love" humming in the background.
Shot on rooftops in Rockaway Beach and New York City (including the Waldorf-Astoria), the short showcases Pattinson as the ultimate urban male: self-assured but discreet, effortless and yet impeccably tailored. He is a man with a purpose, living from moment to moment (staying true to his vampire roots!), which also comes through in his next three film choices (one of them being Life, due out 2015, wherein he plays a Life-magazine photographer hired to follow and photograph James Dean). Taking a cue from Dean, who was once famously said, “Dream as if you'll live forever. Live as if you’ll die today,” Pattinson—as the new face of Dior Homme Eau for Men—does just that.
There’s even a book, called Robert Pattinson: 1000 Lives, photographed by Nan Goldin and published by Rizzoli (Goldin photographed the European campaign for the fragrance).
And the juice is rightly so on-target for this present-day male. Dior’s in-house master perfume creator, François Demachy, tweaked the original scent to equal the attitude of this urban, modern-chic gent. The scent is a refreshing blend of Calabrian bergamot, Moroccan grapefruit, and Crimean coriander at top, with Tuscan iris absolute surrounding the heart, followed by Virginia cedarwood at the base. “Eau for Men is a fresh yet directly masculine fragrance, its immediacy is its soul,” says Demachy.
The small towns and semi-desert landscape of South Australia’s outback will feature on the big screen as the buzz surrounding Australian feature film The Rover, starring Guy Pearce and Robert Pattinson, continues to grow.Hmmm not "exactly" what we were hoping to hear but hey anything can happen SO let's keep the faith and keep everything crossed that there's a chance that this might change ;-} (wishful thinking?)
The Rover, written and directed by David Michôd and produced by Liz Watts, David Linde, and David Michôd through Porchlight Films, in association with Lava Bear Films LLC, has recently completed its seven weeks of principal photography in South Australia, utilising the unique desert landscape SA offers to provide the perfect backdrop for the film’s storyline.
Set in the Australian desert in ‘a dangerous and damaged near future’, The Rover tells the story of Eric (Pearce) who has left everything, everyone and every semblance of human kindness behind him when a gang of desperate criminals steals his last possession. Eric sets off on a ruthless mission to track them down, forced along the way to enlist the help of Rey (Pattinson), the naïve and injured junior member of the gang who was left behind in the chaos of the gang’s most recent robbery.
SAFC CEO Richard Harris said “The SAFC was very excited to get behind The Rover, David Michôd’s first film since his critically acclaimed, box office smash, Animal Kingdom. It is the latest example of a project that has chosen to use South Australia’s unique outback locations to dramatic effect."
“SA’s capacity to offer locations both diverse and accessible within cooee of Adelaide and to provide Adelaide Studios as an ideal production base to support the location set, make us an attractive proposition. The Rover production team has tested our capacity to deliver both at the studios and on location and we’ve relished the opportunity to demonstrate our world class capability.
“The ability of South Australia to offer dramatic, unique and stunning landscapes, mixed with towns of distinctive original character, all supported by world class facilities (as those at the Studios) was a major part of our decision to shoot in South Australia. We found the Adelaide Studios incredibly accommodating to our needs- flexible and willing to work with us on different elements of production we needed. They were simply, great”, commented Liz Watts, producer of The Rover.
Shooting a film is never easy, but one of the most important elements of success is the level of support shown by local councils, and how warmly the cast and crew are welcomed by the community.
“For us, our ability to work with locals and townships and location owners in shooting was a really important part of achieving the look and tone of the film that we wanted. We shot in five key areas; around Port Augusta; Quorne and its neighbours, Hammond and Bruce; Hawker; Parachilna and lastly the absolutely unique Marree. Ever since David and I first visited Marree last year in surveys we were keen to include the town in the film, and we ended up spending just over two and a half weeks there with around 100 cast and crew, effectively doubling the population of the town. But the support we found there from the whole community was exceptional. I believe The Rover is the first feature film (since the amazing Back of Beyond documentary was shot there in the 1950s) to shoot in Marree, and we feel pretty priviledged in doing so”, shared Watts.
“We worked with locals in many ways including great locations and their owners, plus cast and extras. For our crew, this film has been a really memorable experience - as it was for our two leads, Guy and Rob” she continued.
Richard Harris also said “our aim is to work closely with Producers to ensure their projects can be realised in SA with minimal fuss and maximum support. Combine this with the film friendly culture of South Australia’s regional and outback communities and the lowest production costs for living and accommodation of any Australian state capital, and it’s clear why shooting in SA continues to be an attractive proposition for projects such as The Rover.”
THE ROVER will be completed in late 2013 and theatrical release timed for first quarter 2014. Australian distributor is Village Roadshow with FilmNation distributing internationally.