I
Showing posts with label Bel Ami. Show all posts
Showing posts with label Bel Ami. Show all posts
Here Is...... Your Morning Wake Up Call With Robert Pattinson
Here Is...... Your Morning Wake Up Call With Robert Pattinson
Happy Valentines Day
Happy Valentines Day
FAN VIDEO: Robert Pattinson - Just Georges - CLOSE UPS
FAN VIDEO: Robert Pattinson - Just Georges - CLOSE UPS
I'm convinced Bru is trying to finish us all off with this video. Rob is on his home turf at the moment and has brought a heatwave with him that I'm even feeling over here in in Ireland and then Bru goes and makes this video with Rob as Georges to send our temperatures completely through the roof.
My only advice is, turn on the air con, run the cold shower, heck have an ice bath ready to jump into you're going to need it.
Good luck to you all and I'll see you on the other side (maybe).
Here's Georges.....
I'm convinced Bru is trying to finish us all off with this video. Rob is on his home turf at the moment and has brought a heatwave with him that I'm even feeling over here in in Ireland and then Bru goes and makes this video with Rob as Georges to send our temperatures completely through the roof.
My only advice is, turn on the air con, run the cold shower, heck have an ice bath ready to jump into you're going to need it.
Good luck to you all and I'll see you on the other side (maybe).
Here's Georges.....
Robert Pattinson Looking Adorable In A NEW/Old Behind The Scenes Pic From 'Bel Ami'
Robert Pattinson Looking Adorable In A NEW/Old Behind The Scenes Pic From 'Bel Ami'
I love this cute behind the scenes pic of Rob from Bel Ami. It makes me wonder how may snapshots people have hidden away that we haven't seen and maybe never will!
Click for Full Size
Source
I love this cute behind the scenes pic of Rob from Bel Ami. It makes me wonder how may snapshots people have hidden away that we haven't seen and maybe never will!
Click for Full Size
Source
NEW: Robert Pattinson - "I like movies where you leave and you’re not supposed to know how you feel afterward, ever"
NEW: Robert Pattinson - "I like movies where you leave and you’re not supposed to know how you feel afterward, ever"
Rob sat down with Salon and talked about The Rover, his career and choices, his English accent, and sooooo much more! Another great print interview with Rob :))
From Salon:
He’s been trying to shed Edward Cullen for years — and now he may finally have done it.
Robert Pattinson rose to megafame playing Cullen, a lovelorn vampire, in the “Twilight” series, but has in his off-dury hours been trying to become something more interesting than a leading man. After the period piece “Bel Ami” and the romantic dramas “Remember Me” and “Water for Elephants” didn’t connect, Pattinson has styled himself as a versatile supporting actor. In David Cronenberg’s “Cosmopolis,” Pattinson, perpetually picking up new visitors in his limousine, was nominally the lead but was willing to cede the role of most interesting person on-screen to just about anyone who crossed his path; in Cronenberg’s forthcoming “Maps to the Stars,” Pattinson plays the limo driver.
And in David Michôd’s new film “The Rover,” Pattinson makes his greatest departure yet, playing a mentally challenged vagrant who’s migrated to a post-apocalyptic Australia and finds himself on a quest to help Guy Pearce find his car. It’s the sort of role that at a different time of year, and in a tonier, more tasteful sort of film, ends up in Oscar conversations: Pattinson has mottled brown teeth and a thick Southern accent. If this sounds like a way for Pattinson to finally shed the constraints of his leading-man roles, it is — but it’s clear that Pattinson is having fun while doing it.
He seemed open and relaxed in his standard white T-shirt when we met at New York’s Bowery Hotel, where he chugged sparkling water between answers. He spoke freely about what’s next up — including James Gray’s “Lost City of Z” adaptation and “Life,” a James Dean biopic by Anton Corbijn. Spoiler alert: Pattinson is not playing Dean.
When you go for weeks at a time promoting something, are there questions you’re repeatedly asked that you’re tired of answering?
Well, I can never remember what I’m asked. But I kept getting asked about flies in the outback, because I’d mentioned one time in the very first interview I did, “Oh, there’s loads of flies there — it’s really crazy.” And when interviewers will ask you again, I’m like, “Surely, surely you’ve seen this. Yes, there are a lot of flies.” And they just keep asking. What do I say? “Oh, actually flies are amazing; it was the best part of all of it.”
I feel like there’s only so much you can say about flies.
Which is absolutely nothing.
So you started filming last year – take me through a little bit of your state of mind. You must have been feeling pretty free in some sense, now that the “Twilight” franchise is completely over.
I got the part about eight or nine months before we started shooting it. And then I was supposed to shoot another movie before I ended up doing it. And I did “Maps to the Stars” as well, just a little part. I was going to do another lead role and then it got pushed, so I’ve basically been thinking about this for so long that it kind of feels like I was almost working the whole time.
But yeah, I finished “Twilight” like, six or seven months before maybe. It’s strange, I mean, it’s kind of — it feels like it was such a long time ago because we finished shooting ages ago, like two or three years ago. But yeah, it is interesting – you’re kind of like, “Oh, this is actually what you’re branching out doing now, this is what your career is and it’s actually kind of looking like something.” Whereas when I did each of the movies in between the “Twilight” movies it kind of reset every time. Every “Twilight” was so huge that it just overshadowed everything.
In this film you’re, to a degree, supporting Guy Pearce, and your role in “Maps to the Stars” is small, too. Are you backing away from leading-man roles?
Yeah. Well, for this I just really loved the part but a lot of the movies I’ve done that haven’t really come out yet — actually, no, I guess I’m playing the lead in the Corbijn movie. But even if it’s a lead, it’s not like the flashy role. I mean, in the movie I’m doing with Corbijn, it has James Dean in it and I’m the guy who’s photographing him. But it’s not like a part where I’m hiding away, but you’re sharing the burden a lot of the time. Stuff that appeals to me as a lead is so specific, and I kind of want to work with these directors just to go to the school, and so if I’m doing 10 days in a Werner Herzog movie, I can basically do any part.
I think there was a perception out there with “Cosmopolis,” in particular, that you were kind of consciously choosing to really take a part that was radically different from your persona. Does that enter your mind when you’re choosing parts?
No, because it’s not like – no, not really at all. I did this movie called “Bel Ami” — I mean, I was really young when I decided to do it as well. But I was thinking of it as kind of meta – there was a subtext to it. Where you have basically an entirely female audience from “Twilight,” and you play a part of a guy who’s basically like cheating women out of money, like, exclusively cheating them. And I thought that was kind of funny. I don’t think anyone really noticed the meta context of it.
Do you pay attention to how things are received?
Yeah, I understand. I don’t really know why. Because you do end up just thinking like, it doesn’t really matter. I’ve never had the experience where I’ve really hated a movie and it suddenly got great reviews. Maybe that would change my mind. But if you like something, the reviews mean nothing. The only person it really matters to is the filmmaker.
For some reason I feel kind of responsible if something is … even if it’s not singling out me, if something gets a bad review then I feel bad because I haven’t really had a bad experience on a movie. So I want to do my best to elevate them.
To a certain degree — probably less so now — you’re so closely identified with “Twilight.” Does that make it more of a leap of faith for a director to cast you because of preconceptions people have?
It kind of remains to be seen. I know that there’s definitely some kind of baggage, but I guess if it brings people into the cinema, which I’m not entirely sure if it does, then — but I don’t know. I think you end up fighting for all the parts you want anyway. I guess as I’m going further and further away from “Twilight,” the perception slowly becomes something else. Because I haven’t really tried to hit the same market again. Maybe because I don’t really know how to.
When you look at directors you want to work with, is there a list?
It’s kind of a list. I’m basically trying to go to acting school and film school by working with the best possible teachers, and also people who I grew up watching their movies. There are a few people who I really, specifically want to work with because of the performances they get out of their actors. I kind of feel like there’s something in me which is in that kind of ballpark. Like James Gray — I just loved all the stuff he did with Joaquin. And also just talking to James for years, I like his ideas about performance. And people like [“Rust and Bone” director] Jacques Audiard and stuff. But then there are other people like Herzog and Cronenberg; I never even thought I would be in any realm of possibility of getting a part with them. And then you’re suddenly doing it, it’s almost ridiculous. I’ll kind of do any part in any of their movies and just try and figure it out.
The moment in “The Rover” when you’re sitting in the truck and you’re calmly singing a Keri Hilson song ["Pretty Girl Rock"] just before a really violent moment — how did you get in the mind-set for that scene in particular? How long did it take to put that together?
I thought that was just going to be like a little inset shot because it was just briefly mentioned he’s singing along to the radio. And it’s this minute and half long shot, it’s absolutely crazy. A lot of what I was trying to do with the character the whole time is just playing someone who — it’s like someone with crazy ADD is just stuck between two decisions, constantly. Do you know on old TVs when you press down on two channels at the same time and you’re kind of in between? It’s his biggest and most pensive, deep moment. And really at the same time, he’s kind of not really thinking anything. He’s thinking everything and nothing at the same time. He’s almost empty.
How do you get to that place as an actor?
I kind of realized that how I was approaching parts in a kind of cerebral way and trying to analyze stuff is probably not the best way to do it. If you approach it more like music, which — “Cosmopolis” is the first time I’d done something in a very highly stylized dialect and then just started to listen to the rhythm and the cadence of it. It suddenly freed up something. You’re not really thinking and it’s just performing.
And you can approach almost any part just to kind of make it feel nice, like to perform it and then you’re suddenly like, Oh, this is way easier than trying to preempt every possible perception from the audience, from the other actor, and blah, blah, blah. And you can actually have fun doing it.
You’ve now several times played an American. What, if anything, is different there?
I don’t know, I’ve never really thought of it as actually specifically playing an American. I guess there are little elements of it, like — no, you kind of approach it the same way. I mean, I feel extremely uncomfortable playing English people, though. Even if I’m doing an English accent, I don’t even know how to do my normal accent, it just suddenly goes into this weird acting voice. And so I get incredibly self-conscious about it! So when I’m doing an American, it feels more like you’re in a movie.
I gathered that your character in “The Rover” was mean to be from the Southern U.S.
Yeah, the sort of migrant, seasonal laborer. It’s just like all the Chinese people moving to Africa now, it’s kind of the same thing. The Western economy has collapsed so you sort of just go anywhere where there’s any work.
Did you, the director and Guy know more than we, the audience, explicitly know about how the civilization collapsed and everything? Did you work that out together?
I think David and Guy do. Because I was there for three weeks before we started shooting, and I kept trying to push David on it and he was so unwilling to tell me anything. And I guess it makes sense for my character to not know anything; he just followed his brother there.
But I think one of the things that I liked about it so much is that the script — there were two scenes, the dialogue-heavy scenes with me and Guy. There was so much detail in them but it’s detail that doesn’t really pertain to anything else in the story. And then placed in the context of almost no dialogue whatsoever. I liked when it was completely uncompromising to the audience, it’s like, “No, this is a fully realized character and you can either run with it or not.”
It’s putting a lot of trust in the audience, in a way.
And I don’t think a lot of people do that. I think with this, and with “Cosmopolis” as well, it’s one of those — I like movies where you leave and you’re not supposed to know how you feel afterward, ever.
Source
Rob sat down with Salon and talked about The Rover, his career and choices, his English accent, and sooooo much more! Another great print interview with Rob :))
From Salon:
He’s been trying to shed Edward Cullen for years — and now he may finally have done it.Robert Pattinson rose to megafame playing Cullen, a lovelorn vampire, in the “Twilight” series, but has in his off-dury hours been trying to become something more interesting than a leading man. After the period piece “Bel Ami” and the romantic dramas “Remember Me” and “Water for Elephants” didn’t connect, Pattinson has styled himself as a versatile supporting actor. In David Cronenberg’s “Cosmopolis,” Pattinson, perpetually picking up new visitors in his limousine, was nominally the lead but was willing to cede the role of most interesting person on-screen to just about anyone who crossed his path; in Cronenberg’s forthcoming “Maps to the Stars,” Pattinson plays the limo driver.
And in David Michôd’s new film “The Rover,” Pattinson makes his greatest departure yet, playing a mentally challenged vagrant who’s migrated to a post-apocalyptic Australia and finds himself on a quest to help Guy Pearce find his car. It’s the sort of role that at a different time of year, and in a tonier, more tasteful sort of film, ends up in Oscar conversations: Pattinson has mottled brown teeth and a thick Southern accent. If this sounds like a way for Pattinson to finally shed the constraints of his leading-man roles, it is — but it’s clear that Pattinson is having fun while doing it.
He seemed open and relaxed in his standard white T-shirt when we met at New York’s Bowery Hotel, where he chugged sparkling water between answers. He spoke freely about what’s next up — including James Gray’s “Lost City of Z” adaptation and “Life,” a James Dean biopic by Anton Corbijn. Spoiler alert: Pattinson is not playing Dean.
When you go for weeks at a time promoting something, are there questions you’re repeatedly asked that you’re tired of answering?
Well, I can never remember what I’m asked. But I kept getting asked about flies in the outback, because I’d mentioned one time in the very first interview I did, “Oh, there’s loads of flies there — it’s really crazy.” And when interviewers will ask you again, I’m like, “Surely, surely you’ve seen this. Yes, there are a lot of flies.” And they just keep asking. What do I say? “Oh, actually flies are amazing; it was the best part of all of it.”
I feel like there’s only so much you can say about flies.
Which is absolutely nothing.
So you started filming last year – take me through a little bit of your state of mind. You must have been feeling pretty free in some sense, now that the “Twilight” franchise is completely over.
I got the part about eight or nine months before we started shooting it. And then I was supposed to shoot another movie before I ended up doing it. And I did “Maps to the Stars” as well, just a little part. I was going to do another lead role and then it got pushed, so I’ve basically been thinking about this for so long that it kind of feels like I was almost working the whole time.
But yeah, I finished “Twilight” like, six or seven months before maybe. It’s strange, I mean, it’s kind of — it feels like it was such a long time ago because we finished shooting ages ago, like two or three years ago. But yeah, it is interesting – you’re kind of like, “Oh, this is actually what you’re branching out doing now, this is what your career is and it’s actually kind of looking like something.” Whereas when I did each of the movies in between the “Twilight” movies it kind of reset every time. Every “Twilight” was so huge that it just overshadowed everything.
In this film you’re, to a degree, supporting Guy Pearce, and your role in “Maps to the Stars” is small, too. Are you backing away from leading-man roles?
Yeah. Well, for this I just really loved the part but a lot of the movies I’ve done that haven’t really come out yet — actually, no, I guess I’m playing the lead in the Corbijn movie. But even if it’s a lead, it’s not like the flashy role. I mean, in the movie I’m doing with Corbijn, it has James Dean in it and I’m the guy who’s photographing him. But it’s not like a part where I’m hiding away, but you’re sharing the burden a lot of the time. Stuff that appeals to me as a lead is so specific, and I kind of want to work with these directors just to go to the school, and so if I’m doing 10 days in a Werner Herzog movie, I can basically do any part.
I think there was a perception out there with “Cosmopolis,” in particular, that you were kind of consciously choosing to really take a part that was radically different from your persona. Does that enter your mind when you’re choosing parts?
No, because it’s not like – no, not really at all. I did this movie called “Bel Ami” — I mean, I was really young when I decided to do it as well. But I was thinking of it as kind of meta – there was a subtext to it. Where you have basically an entirely female audience from “Twilight,” and you play a part of a guy who’s basically like cheating women out of money, like, exclusively cheating them. And I thought that was kind of funny. I don’t think anyone really noticed the meta context of it.
Do you pay attention to how things are received?
Yeah, I understand. I don’t really know why. Because you do end up just thinking like, it doesn’t really matter. I’ve never had the experience where I’ve really hated a movie and it suddenly got great reviews. Maybe that would change my mind. But if you like something, the reviews mean nothing. The only person it really matters to is the filmmaker.
For some reason I feel kind of responsible if something is … even if it’s not singling out me, if something gets a bad review then I feel bad because I haven’t really had a bad experience on a movie. So I want to do my best to elevate them.
To a certain degree — probably less so now — you’re so closely identified with “Twilight.” Does that make it more of a leap of faith for a director to cast you because of preconceptions people have?
It kind of remains to be seen. I know that there’s definitely some kind of baggage, but I guess if it brings people into the cinema, which I’m not entirely sure if it does, then — but I don’t know. I think you end up fighting for all the parts you want anyway. I guess as I’m going further and further away from “Twilight,” the perception slowly becomes something else. Because I haven’t really tried to hit the same market again. Maybe because I don’t really know how to.
When you look at directors you want to work with, is there a list?
It’s kind of a list. I’m basically trying to go to acting school and film school by working with the best possible teachers, and also people who I grew up watching their movies. There are a few people who I really, specifically want to work with because of the performances they get out of their actors. I kind of feel like there’s something in me which is in that kind of ballpark. Like James Gray — I just loved all the stuff he did with Joaquin. And also just talking to James for years, I like his ideas about performance. And people like [“Rust and Bone” director] Jacques Audiard and stuff. But then there are other people like Herzog and Cronenberg; I never even thought I would be in any realm of possibility of getting a part with them. And then you’re suddenly doing it, it’s almost ridiculous. I’ll kind of do any part in any of their movies and just try and figure it out.
The moment in “The Rover” when you’re sitting in the truck and you’re calmly singing a Keri Hilson song ["Pretty Girl Rock"] just before a really violent moment — how did you get in the mind-set for that scene in particular? How long did it take to put that together?
I thought that was just going to be like a little inset shot because it was just briefly mentioned he’s singing along to the radio. And it’s this minute and half long shot, it’s absolutely crazy. A lot of what I was trying to do with the character the whole time is just playing someone who — it’s like someone with crazy ADD is just stuck between two decisions, constantly. Do you know on old TVs when you press down on two channels at the same time and you’re kind of in between? It’s his biggest and most pensive, deep moment. And really at the same time, he’s kind of not really thinking anything. He’s thinking everything and nothing at the same time. He’s almost empty.
How do you get to that place as an actor?
I kind of realized that how I was approaching parts in a kind of cerebral way and trying to analyze stuff is probably not the best way to do it. If you approach it more like music, which — “Cosmopolis” is the first time I’d done something in a very highly stylized dialect and then just started to listen to the rhythm and the cadence of it. It suddenly freed up something. You’re not really thinking and it’s just performing.
And you can approach almost any part just to kind of make it feel nice, like to perform it and then you’re suddenly like, Oh, this is way easier than trying to preempt every possible perception from the audience, from the other actor, and blah, blah, blah. And you can actually have fun doing it.
You’ve now several times played an American. What, if anything, is different there?
I don’t know, I’ve never really thought of it as actually specifically playing an American. I guess there are little elements of it, like — no, you kind of approach it the same way. I mean, I feel extremely uncomfortable playing English people, though. Even if I’m doing an English accent, I don’t even know how to do my normal accent, it just suddenly goes into this weird acting voice. And so I get incredibly self-conscious about it! So when I’m doing an American, it feels more like you’re in a movie.
I gathered that your character in “The Rover” was mean to be from the Southern U.S.
Yeah, the sort of migrant, seasonal laborer. It’s just like all the Chinese people moving to Africa now, it’s kind of the same thing. The Western economy has collapsed so you sort of just go anywhere where there’s any work.
Did you, the director and Guy know more than we, the audience, explicitly know about how the civilization collapsed and everything? Did you work that out together?
I think David and Guy do. Because I was there for three weeks before we started shooting, and I kept trying to push David on it and he was so unwilling to tell me anything. And I guess it makes sense for my character to not know anything; he just followed his brother there.
But I think one of the things that I liked about it so much is that the script — there were two scenes, the dialogue-heavy scenes with me and Guy. There was so much detail in them but it’s detail that doesn’t really pertain to anything else in the story. And then placed in the context of almost no dialogue whatsoever. I liked when it was completely uncompromising to the audience, it’s like, “No, this is a fully realized character and you can either run with it or not.”
It’s putting a lot of trust in the audience, in a way.
And I don’t think a lot of people do that. I think with this, and with “Cosmopolis” as well, it’s one of those — I like movies where you leave and you’re not supposed to know how you feel afterward, ever.
Source
Torture Tuesday: Robert Pattinson was the best Tyler, the best Jacob, the best Georges, but.....
Torture Tuesday: Robert Pattinson was the best Tyler, the best Jacob, the best Georges, but.....
It's Tuesday! Have you missed me?
Awww don't be like that. You know you love Torture Tuesday.
TOO BAD!!! Because your grumbles keep this day going. ;) Where shall I begin....
Yesterday, we found out that Rob was no longer going to be a part of Mission: Blacklist. I'm totally fine with this for reasons I shared in the comments but the one thing I am sad about is we lost a film with Rob in the lead and well, Rob as a lead......
This made me think about Rob taking on leading roles after he snagged Twilight yet before he became the KING OF CANNES with Cosmopolis...
In Remember Me, he was the charming and troubled Tyler, breaking our hearts and making us fall for him just like Ally.
In Water For Elephants, he was the compassionate, sweet Jacob, making us again fall in love with him like Rosie and Marlena.
In Bel Ami, he was back to charming and troubled....actually Troubled with a capital T. And this time, you were definitely in danger if you fell for him...like poor Virginie here.
Rob would go on to knock it all out of the park in Cosmopolis as the leading man and start his reign as the KING OF CANNES but what do you think about these three leading roles/characters during the Twilight years? Great you say? Fantastic? Rob was the complete embodiment of Tyler/Jacob/Georges? Well what if I asked you this....
heheheheeeeee....happy Torture Tuesday!
It's Tuesday! Have you missed me?
Awww don't be like that. You know you love Torture Tuesday.
TOO BAD!!! Because your grumbles keep this day going. ;) Where shall I begin....
Yesterday, we found out that Rob was no longer going to be a part of Mission: Blacklist. I'm totally fine with this for reasons I shared in the comments but the one thing I am sad about is we lost a film with Rob in the lead and well, Rob as a lead......
This made me think about Rob taking on leading roles after he snagged Twilight yet before he became the KING OF CANNES with Cosmopolis...
In Remember Me, he was the charming and troubled Tyler, breaking our hearts and making us fall for him just like Ally.
In Water For Elephants, he was the compassionate, sweet Jacob, making us again fall in love with him like Rosie and Marlena.
In Bel Ami, he was back to charming and troubled....actually Troubled with a capital T. And this time, you were definitely in danger if you fell for him...like poor Virginie here.
Rob would go on to knock it all out of the park in Cosmopolis as the leading man and start his reign as the KING OF CANNES but what do you think about these three leading roles/characters during the Twilight years? Great you say? Fantastic? Rob was the complete embodiment of Tyler/Jacob/Georges? Well what if I asked you this....
heheheheeeeee....happy Torture Tuesday!
Sinful Sunday With Robert Pattinson
Sinful Sunday With Robert Pattinson
It's that time of the week again!
It's that time of the week again!
365 Days of Robert Pattinson: August 11th ~ Fave Kiss From A Rob Film
365 Days of Robert Pattinson: August 11th ~ Fave Kiss From A Rob Film
Thank God we installed Air Conditioning in the DR because I don't know about you but I've been overheating the last couple of days and I don't think today will be any different.
What could be hotter than steamy Rob kisses? You have been warned ladies!!
Oooh and it's Tink's turn to cheat today LOL
Tink
"can this count? because it does more for me as a still than anything on film. when we finally get the ad in motion, I WORRY FOR MY SAFETY. to play fair, before DiorRob entered my life and ruined all previous kisses, this one was my fave."
"I love the slow sensuality of it. the make up, passionate kiss. plus there was only the sounds of their breathing and kissing. that helps with making the kiss feel so intimate. in addition to the thrusting. EEEEEEEEEE"
Kate
"Easy choice for me today ;-) I watched this movie last night and I still love the whole relationship and interaction between Christina's character and Rob's"
Kat
"OK… so a little more intense than ‘just a kiss’ but this one was… well, wow. It’s the stare!"
Click the thumbnail if you need to review the August calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
Thank God we installed Air Conditioning in the DR because I don't know about you but I've been overheating the last couple of days and I don't think today will be any different.
What could be hotter than steamy Rob kisses? You have been warned ladies!!
Oooh and it's Tink's turn to cheat today LOL
Tink
"can this count? because it does more for me as a still than anything on film. when we finally get the ad in motion, I WORRY FOR MY SAFETY. to play fair, before DiorRob entered my life and ruined all previous kisses, this one was my fave."
"I love the slow sensuality of it. the make up, passionate kiss. plus there was only the sounds of their breathing and kissing. that helps with making the kiss feel so intimate. in addition to the thrusting. EEEEEEEEEE"
Kate
"Easy choice for me today ;-) I watched this movie last night and I still love the whole relationship and interaction between Christina's character and Rob's"
Kat
"OK… so a little more intense than ‘just a kiss’ but this one was… well, wow. It’s the stare!"
Click the thumbnail if you need to review the August calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
365 Days of Robert Pattinson: March 31 ~ Fave Soundtrack/Score
365 Days of Robert Pattinson: March 31 ~ Fave Soundtrack/Score
So much great music from all of Rob's movies but which is your favourite?
It's a tough choice as we found out!
Tink
"This wasn’t easy because i love several soundtrack/scores from Rob’s films. i love how the Cosmopolis score puts me in the mood of the film and i love singing along to Metric (debb knows this). i also love the Remember Me score. it’s haunting and beautiful. a portion of the song titled Tyler has been my alarm clock sound since the film came out. lastly, i have sentimental love for the New Moon soundtrack and through the Twilight series, i’ve loved many songs and what memories from the film they trigger. but i went with Bel Ami because it’s the most classical score of all Rob’s films and i love it. it’s beautiful and the strings soar. my favorites: Love Nest, George Meets Madeleine and A More Memorable Name." (Kate: This is the only one I don't have, but that will soon be rectified!)
Kate
"I have "nearly" all the soundtracks from Rob's movies and I have to say that the one that always gets played the most is the first Twilight one, maybe it's because Rob is on there, I don't know. But because it gets played the most that is the one I'm choosing as my favourite. I'm glad this topic has reminded me that I should listen to the others more often ;-}"
Kat
I'll update when Kat posts
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
Click below to preview what's in store for us for April
So much great music from all of Rob's movies but which is your favourite?
It's a tough choice as we found out!
Tink
"This wasn’t easy because i love several soundtrack/scores from Rob’s films. i love how the Cosmopolis score puts me in the mood of the film and i love singing along to Metric (debb knows this). i also love the Remember Me score. it’s haunting and beautiful. a portion of the song titled Tyler has been my alarm clock sound since the film came out. lastly, i have sentimental love for the New Moon soundtrack and through the Twilight series, i’ve loved many songs and what memories from the film they trigger. but i went with Bel Ami because it’s the most classical score of all Rob’s films and i love it. it’s beautiful and the strings soar. my favorites: Love Nest, George Meets Madeleine and A More Memorable Name." (Kate: This is the only one I don't have, but that will soon be rectified!)
Kate
"I have "nearly" all the soundtracks from Rob's movies and I have to say that the one that always gets played the most is the first Twilight one, maybe it's because Rob is on there, I don't know. But because it gets played the most that is the one I'm choosing as my favourite. I'm glad this topic has reminded me that I should listen to the others more often ;-}"
Kat
I'll update when Kat posts
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
Click below to preview what's in store for us for April
365 Days of Robert Pattinson: March 5 ~ Fave movie poster of Rob
365 Days of Robert Pattinson: March 5 ~ Fave movie poster of Rob
Kate:
"Tough choice because I love so many of Rob’s posters but I’m going with this one & what makes me love it more is that I own it ;-)"
Tink:
"i thought this would be tough but it wasn’t. i love several of Rob’s posters - Cosmopolis, the first version of the Twilight poster, Water for Elephants - but the Remember Me poster gets me. it might be because out of all his posters, this is the one that looks most like him. it’s how Rob looks normally. it’s a sweet, romantic poster with hints of sadness. "
Click the thumbnail if you need to review the March calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
Kate:
"Tough choice because I love so many of Rob’s posters but I’m going with this one & what makes me love it more is that I own it ;-)"
Kat:
" I love this one, Little Ashes is up there in my top three Rob movies. Plus, it shows off the Sanpaku like nobodies bizniz!"
Tink:
"i thought this would be tough but it wasn’t. i love several of Rob’s posters - Cosmopolis, the first version of the Twilight poster, Water for Elephants - but the Remember Me poster gets me. it might be because out of all his posters, this is the one that looks most like him. it’s how Rob looks normally. it’s a sweet, romantic poster with hints of sadness. "
Click the thumbnail if you need to review the March calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
365 Days of Robert Pattinson: Feb. 22 ~ Fave Georges Duroy pic
365 Days of Robert Pattinson: Feb. 22 ~ Fave Georges Duroy pic
Since I've been on this Anna Karenina-period-film-with-a-seducer kick, revisiting DuRob all this month has been awesome. Bel Ami is one of my top fave Rob films and revisiting our favorite pics of Georges is perfect to me.
Kate:
"There are so many great Georges pics to choose from and when I wanted to make a Bel Ami Wallpaper a while ago deciding which pic to use was a major problem but I eventually chose the one above and it is still one of my firm favourites. So for that reason this is my choice for today. I can’t wait to see what everyone else chooses ;-))"
Tink:
"shameless. conniving. seductive. all wrapped up in a little smirk. i actually used my favorite pic of Georges Duroy earlier this month but this screencap has the same essence that i loved in the other pic. Rob conveys the raw and simple truth of Georges feeling entitled and how he will achieve his place by any means necessary - physically fighting and f*cking and plotting his way to where he belongs - at the top. i see all of that in this pic."
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
Since I've been on this Anna Karenina-period-film-with-a-seducer kick, revisiting DuRob all this month has been awesome. Bel Ami is one of my top fave Rob films and revisiting our favorite pics of Georges is perfect to me.
Kate:
"There are so many great Georges pics to choose from and when I wanted to make a Bel Ami Wallpaper a while ago deciding which pic to use was a major problem but I eventually chose the one above and it is still one of my firm favourites. So for that reason this is my choice for today. I can’t wait to see what everyone else chooses ;-))"
Tink:
"shameless. conniving. seductive. all wrapped up in a little smirk. i actually used my favorite pic of Georges Duroy earlier this month but this screencap has the same essence that i loved in the other pic. Rob conveys the raw and simple truth of Georges feeling entitled and how he will achieve his place by any means necessary - physically fighting and f*cking and plotting his way to where he belongs - at the top. i see all of that in this pic."
Kat:
"This one because of the hair flipping Rob trait :-) Love it when a little bit of RealRob sneaks into his characters."
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
365 Days of Robert Pattinson: Feb.16 ~ Pic With Uma Thurman
365 Days of Robert Pattinson: Feb.16 ~ Pic With Uma Thurman
So it's Saturday and today's topic is pic with Uma Thurman. Lots of fabulous pics from "Bel Ami" to choose from. Did we pick one of your choices? If not show us YOUR favourite in the comments below.
Tink
"i know this isn’t a picture but im going with it. i get so frustrated with Rob films that dont give us Twilight-level extras on the DVDs. i want more more more. i want a 20 hour movie that has Rob as the leading man and on the commentary and 50,000 deleted scenes added plus 100,000 set interviews from Rob. i want it ALL. i would be in heaven if i had access to all the footage stored in the archives of Rob’s film’s studios or whoever the fuck owns this stuff. anyway, im on adrunk rant. point being, we did not see this scene and i wish we saw this scene. there’s a still of Rob and Uma that is also a scene we did not see. when he undresses her. that’s a pic and i suppose i should have used that but im using this. i wanna see this stuff! ugh. and right now, as im typing this, i want to see DuRob taking Mado on the chaise with his slidy foot. YES PLEASE!"
Kate: I totally agree/ This is one of my FAVOURITE Rob movies and I was so disappointed that we got so little extras on the DVD
Kate
"I loved this scene in “Bel Ami”. Georges was SO proud of his beautiful wife & OF COURSE was totally up for a bit of hanky panky, unfortunately she wasn’t (stupid woman) but we did get a growling Georges in this scene!"
Kat
"Pretty sure this was the first I (we all) saw, love it."
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
NOTE: Clicking on the links posted in comments takes you away from our site where we no longer have control over your security. Click at your own risk.
The links will inevitably also include hotness overdoses, which is a whole other issue entirely!
So it's Saturday and today's topic is pic with Uma Thurman. Lots of fabulous pics from "Bel Ami" to choose from. Did we pick one of your choices? If not show us YOUR favourite in the comments below.
Tink
"i know this isn’t a picture but im going with it. i get so frustrated with Rob films that dont give us Twilight-level extras on the DVDs. i want more more more. i want a 20 hour movie that has Rob as the leading man and on the commentary and 50,000 deleted scenes added plus 100,000 set interviews from Rob. i want it ALL. i would be in heaven if i had access to all the footage stored in the archives of Rob’s film’s studios or whoever the fuck owns this stuff. anyway, im on a
Kate: I totally agree/ This is one of my FAVOURITE Rob movies and I was so disappointed that we got so little extras on the DVD
Kate
"I loved this scene in “Bel Ami”. Georges was SO proud of his beautiful wife & OF COURSE was totally up for a bit of hanky panky, unfortunately she wasn’t (stupid woman) but we did get a growling Georges in this scene!"
Kat
"Pretty sure this was the first I (we all) saw, love it."
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
NOTE: Clicking on the links posted in comments takes you away from our site where we no longer have control over your security. Click at your own risk.
The links will inevitably also include hotness overdoses, which is a whole other issue entirely!
365 Days of Robert Pattinson: Feb. 9 ~ Bel Ami still
365 Days of Robert Pattinson: Feb. 9 ~ Bel Ami still
We got loads of Bel Ami stills during the promotional period of the film. They were great too. The costumes and the sets. Oh yes...and the man. ;)
Kate:
"There are SO many Bel Ami stills that I love (& I’ve used some of them in my 365’s already) so I’m going to chose this one for today. Georges is so wicked but so gorgeous in this still and I would surely have to go to confession for all the sins I would commit if i came across him sitting like this in church! Dead & done!"
Tink:
"i love this still. i feel scandalized just looking at him. totally the cad."
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
We got loads of Bel Ami stills during the promotional period of the film. They were great too. The costumes and the sets. Oh yes...and the man. ;)
Kate:
"There are SO many Bel Ami stills that I love (& I’ve used some of them in my 365’s already) so I’m going to chose this one for today. Georges is so wicked but so gorgeous in this still and I would surely have to go to confession for all the sins I would commit if i came across him sitting like this in church! Dead & done!"
Tink:
"i love this still. i feel scandalized just looking at him. totally the cad."
Kat:
"A Bel Ami still, we had so many treats it's hard to pick. But I'm gonna go with this one. So serious!"
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
365 Days of Robert Pattinson: Feb. 6 ~ Pic with Christina Ricci
365 Days of Robert Pattinson: Feb. 6 ~ Pic with Christina Ricci
I love these. I think most of us felt Ricci had the best role with Rob in Bel Ami. Lucky girl. ;)
Kate:
"Ooooh today is difficult because I’m stuck between 3 pics and I keep changing my mind. SO I’m going with this one altogether or i’ll be here all day trying to decide ;-} I have to admit I’m slightly jealous of Christina getting to touch the jaw in this pic!!"
Tink:
"le sigh...King of forehead kisses"
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
I love these. I think most of us felt Ricci had the best role with Rob in Bel Ami. Lucky girl. ;)
Kate:
"Ooooh today is difficult because I’m stuck between 3 pics and I keep changing my mind. SO I’m going with this one altogether or i’ll be here all day trying to decide ;-} I have to admit I’m slightly jealous of Christina getting to touch the jaw in this pic!!"
Tink:
"le sigh...King of forehead kisses"
Kat:
Update with Kat's when she posts :)
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
365 Days of Robert Pattinson: Feb.5 ~ BTS Filming Pic/GIF from Bel Ami
365 Days of Robert Pattinson: Feb.5 ~ BTS Filming Pic/GIF from Bel Ami
I love seeing BTS vids and pics so today's topic is a favourite of mine. I can't wait to see your choices. Show us your favourite BTS Bel Ami pics or gifs in the comments below.
Tink
"His infectious laugh and smile must light up a movie set"
Kat
"One of our 1st glimpses of Rob on the Bel Ami set, loved the diff in wardrobe between the cast and crew"
Kate
"I don’t know WHAT he is at in this gif but his face gives me the giggles"
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
NOTE: Clicking on the links posted in comments takes you away from our site where we no longer have control over your security. Click at your own risk.
The links will inevitably also include hotness overdoses, which is a whole other issue entirely!
I love seeing BTS vids and pics so today's topic is a favourite of mine. I can't wait to see your choices. Show us your favourite BTS Bel Ami pics or gifs in the comments below.
Tink
"His infectious laugh and smile must light up a movie set"
Kat
"One of our 1st glimpses of Rob on the Bel Ami set, loved the diff in wardrobe between the cast and crew"
Kate
"I don’t know WHAT he is at in this gif but his face gives me the giggles"
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
NOTE: Clicking on the links posted in comments takes you away from our site where we no longer have control over your security. Click at your own risk.
The links will inevitably also include hotness overdoses, which is a whole other issue entirely!
365 Days of Robert Pattinson: Feb.1 ~ Pic From "Bel Ami" Premiere
365 Days of Robert Pattinson: Feb.1 ~ Pic From "Bel Ami" Premiere
So we're onto a new month of 365 Days of Rob and as we said this month is "Bel Ami" themed so what a better way to kick off that with the "Bel Ami" Premiere.
Check out our favourites below and let us see yours in the comments
Kat
"Has to be this one... the stare! The hands! The suit! The hair! The Rob!"
Kate
"SO many great pics of Rob from this but I love his smile in this one"
Tink
"This makes me laugh…and gutter dive…"
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
NOTE: Clicking on the links posted in comments takes you away from our site where we no longer have control over your security. Click at your own risk.
The links will inevitably also include hotness overdoses, which is a whole other issue entirely!
So we're onto a new month of 365 Days of Rob and as we said this month is "Bel Ami" themed so what a better way to kick off that with the "Bel Ami" Premiere.
Check out our favourites below and let us see yours in the comments
Kat
"Has to be this one... the stare! The hands! The suit! The hair! The Rob!"
Kate
"SO many great pics of Rob from this but I love his smile in this one"
Tink
"This makes me laugh…and gutter dive…"
Click the thumbnail if you need to review the February calendar. If you missed the whole year, there's a link on the sidebar :)
If you post your 365DoR links in the comments, give us time to approve them so the DR can see :)
NOTE: Clicking on the links posted in comments takes you away from our site where we no longer have control over your security. Click at your own risk.
The links will inevitably also include hotness overdoses, which is a whole other issue entirely!
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